My #StarTrekVoyager rewatch S4E06 “The Raven”

Another holodeck episode? Janeway is showing Seven the program where she sculpts to inspire “imagination, creativity, fantasy…” and Seven doesn’t see the point. But the image of DaVinci’s proto-airplane causes a flashback, ending the teaser.
It looks like Seven has PTSD from her assimilation. So far she’s in denial. The “Bomar,” an alien race shoehorned into the story, look ridiculous and have lots of unreasonable conditions for Voyager to cross their space.
Seven is learning to eat. Is a theme of growing humanity developing, or is the show just contriving a reason for Neelix to exist?

Plot whiplash. From nurturing Seven’s humanity to her Borg side reasserting itself. You have to ask what that has to do with the flashbacks and the bird. She escapes the ship in a shuttlecraft. The Bomar’s purpose is now obvious; they will serve to impede the search for Seven.
Yup, they do and they’re are quite obnoxious about it too. A tedious chase sequence puts Tuvok on Seven’s shuttle which leads to a nice scene. Seven wants to assimilate Tuvok then changes her mind and they just talk. Good performances.
Meanwhile, Janeway realizes the significance of the bird. Seven & Tuvok eventually find the Hansens’ ship where Anikka was assimilated and learn its name. It’s the Raven. We didn’t know that before and that makes Janeway’s epiphany feel like a cheat. Meanwhile, the Bomar start shelling the ship from outer space. We get it; they’re petulant.

In the coda, Seven is becoming creative and that’s the throughline. Seven’s growing humanity begets flashbacks begets still more humanity. In the end, Janeway tells Seven that her parents were “unconventional & had unique scientific theories.” That’s how you describe crackpots.
Healing from childhood trauma is a good basis for a story. But the Bomar were straw men and lots of the rest didn’t make any sense. Story wise this is a nice house with a bad foundation. Focus on the central storyline and skip the filler. This should have been far better.
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