It’s now the 100th Anniversary of the day that Tennessee became the 36th state to ratify the 19th Amendment, and the United States officially recognized women’s right to vote. We’re once again flying a “19th Amendment Victory Flag” to mark the occasion. I wrote about this flag last year. It’s based on the flag of the National Women’s Party, a gold, white and purple tri-color with 36 stars added for the thirty-six states that approved the amendment. The story about how the amendment passed is great. It’s also amazing that something that seems so unequivocally the right-thing-to-do by modern sensibilities came down to a single vote. You can find that story in last year’s article, 19th Amendment Victory Flag.
A turning point in that story involved a political cartoon where Carrie Chapman Catt, the president of the National American Woman Suffrage Association, was sweeping the letters “RAT” toward the letters “IFICATION,” symbolizing the campaign to support the amendment. When I was thinking about what to write this year, I spent some time looking for that political cartoon. If you’ve read this blog, you know I like to write about comics and I like to write about history and flags. History and flags are part of the “The Universe and Everything” part. Anyway, at some point I put “Carrie Chapman Catt” and “Cartoon” into duckduckgo.com and I stumbled upon something in the nice triple intersection of the Venn diagram that’s implied above. Ha! Math! There’s another thing!
I’ve always considered DC Comics to be the more conservative of the two major comic book companies. They were static for a long time while Marvel was innovating and they were so dedicated their own house style that they had other artists redraw Jack Kirby’s pictures of Superman when he was working on Superman’s Pal, Jimmy Olsen. I get that those are small-c conservative, but you have to admit that’s pretty conservative. It’s like putting pants on Michelangelo’s David.
So, what was in that intersection mentioned above? “Wonder Women of History” a back-up feature that ran in Sensation Comics and Wonder Woman for twelve years starting with Wonder Woman #1 in 1942. Each issue featured a short biography of 1 to 5 pages, full of cheesiness and hyperbole. These included the stories of figures like Abigail Adams, Joan of Arc, and Marie Curie. Among the women featured were two important leaders of the suffrage movement taking us from the Seneca Falls Convention to the passage of the 19th Amendment.
And in honor of the Centennial that Amendment, here is the biography of Susan B. Anthony from Wonder Woman #5 (June-July 1943).
We also present the reason for the search result; Comic Vine tells me that Carrie Chapman Catt is a comic book character in Wonder Woman #26 (November-December 1947). That has the incongruous title of “Speed Maniacs from Mercury.” Luckily, that’s not the story in which Mrs. Catt appears.
Eventually, Wonder Woman of History was replaced with makeup tips and advice on landing a husband because DC is so progressive. But the Wonder Women of History were fun while it lasted. If you like these, there are a lot more here. It was nice when comics tried to educate as well as entertain.
Okay, so maybe slightly later than “later this week.” None the less, here is the conclusion to the first installment of our series on state flags. If you haven’t read the first part of this, it’s here.
Without further ado, my choices for the best of the state flags, #6 to #1.
It’s interesting how your quickly opinions can change on some of this subjective stuff. Although Colorado has an objectively nice flag, this morning it’s looking like a piece of sporting apparel and I’m now pondering if it belongs in the category of flags that need a minor tweak. Not going to do it; that way lies madness. Well, maybe in the comments if there’s interest.
This flag technically breaks two of NAVA’s five criteria, there are four colors and the large “C” is text. But this is another flag that Good Flag, Bad Flag uses to demonstrate that one can depart from their principles “with caution and purpose,” calling the “C” a “stunning graphic element.”
Each of the four colors carries symbolic meaning. The red, perhaps most significantly, represents the land. “Colorado,” the name of first the river and then the state literally means “colored red.” The gold evokes the abundant sunlight, the blue the sky, and the white, the snow-capped mountains.
The “Tri-Star Flag” is a nice flag with some nice symbolism, but boy is that a lot of red! That’s not really to my taste. Still, the centerpiece makes a nice symbol that is used by businesses and sports teams. The three stars represent the three “Grand Divisions” of Tennessee defined in the state constitution, East Tennessee, Middle Tennessee, and West Tennessee. These divisions are “bound together in indissoluble unity” within the blue circle by the “unending white band.” The blue band is merely a design element to relieve, as LeRoy Reeves, the designer puts it, “the sameness of the crimson field and prevents the flag from showing too much crimson when hanging limp. The blue band is symbolically a bit of a missed opportunity. In its current location, it could represent the Blue Ridge Mountains on the eastern border of the state. On the left, it could symbolize the Mississippi River, the western border. Do both and the flag becomes a metaphorical map of Tennessee. The star placements are established by state law and are a bit fiddly; a commemorative stamp issued in 1976 showed the stamp upside down.
4. The District of Columbia
The nation’s capital was founded in 1791. It had to wait until 1938 before a flag was chosen, but at least it’s an objectively good flag. The design is striking and is based on the Washington family’s Coat of Arms so the symbolism more-or-less takes care of itself. The flag was designed by a three-member commission appointed by Congress and was initially a symbol of the District’s lack of representation. Ironically, Washingtonians have since embraced the flag. It appears on merchandise throughout the district and is used prominently by the DC Statehood Movement.
When a seal or a coat of arms is used in the design of a flag, the usual approach is to merely place the seal on a solid colored background as we see at left, and then perhaps add the name, a date of a motto to the flag. None of those are improvements. The DC flag is an object lesson in how to use a seal or a coat of arms as an inspiration for flag design. The trick, in this case, is to focus on one or two clear and distinctive design elements, rather than trying to include the entire coat of arms. Another excellent example can be found in this video.
Having the British flag in the canton of one of the thirteen original colonies would be kind of obnoxious, but here makes for a beautiful and distinctive flag. Before the War of 1812, King Kamehameha I flew the Union Flag over his home. This flag had been a gift from Britain’s King George III. During the war, this was replaced by the American flag until some British officers objected. Kamehameha responded by commissioning a new flag that was a hybrid of the two. Britain is represented in the canton while the stripes and their colors symbolize the United States. The eight stripes each stand for one of Hawaii’s major islands, echoing the symbolism of the American flag. Hawaii’s flag is one of only two state flags to have been the flag of an independent country and it is the only flag to fly over a kingdom, a republic, an American territory, and a state.
NAVA’s fifth principle of flag design is to “Be original or be related.” Ohio’s flag is proof that the “or” is not exclusive. It’s certainly “related.” Of all the state flags, Ohio’s flag has the strongest resemblance to the Stars and Stripes. It is also original. It’s the only non-rectangular state flag and the blue triangle on the hoist as well as the white-and-red “O” are distinctive.
Virtually every element of the flag has meaning. The triangular swallowtail shape is thought to hearken back to flags carried by Ohio units in the Civil and Spanish American wars. The five stripes symbolize the roads and waterways of the state while the blue field stands for Ohio’s hills and valleys. The 13 stars encircling the “O” represent the thirteen original states while collectively the 17 stars evoke Ohio’s position as the 17th state to join the Union. The “O” doesn’t merely stand for the state’s name, it also suggests an eye and thus Ohio’s nickname as the “Buckeye State.”
It’s interesting that, although we now recognize Ohio’s is a well-designed flag, it wasn’t initially so well received. The “seal-on-a-bed-sheet” model was ubiquitous among state flags. It was seldom used and compared to the flags of Cuba and the Philippines. It was particularly disparaged for the red center of the O’s similarity to the Japanese flag’s sun.
Readers of this blog might recall that Alaska is my favorite state flag. It’s a simple, attractive flag. If you know anything about celestial navigation, at least some of the symbolism is easy to deduce. The location of the big dipper makes it clear that the larger star is the north star; symbolizing that Alaska is the northern-most state.
But there’s a lot more going on here, worthy of a post of its own. The flag was initially chosen as the territorial flag in 1927 after the Governor held a design contest open to school children in grades 7 through 12. The winner of the contest was 13-year-old Benny Benson, a native Alaskan. His entry was the unanimous choice of the panel of judges and was adopted unanimously by both houses of the territorial legislature. There’s synergy here; the blue represents not only the night sky but also the color of a forget-me-not which was later chosen as the state flower. Marie Drake, the assistant commissioner of education wrote a poem about Benson’s symbolism for an educational program about the flag. Elinor Dusenbury, a former Alaska resident, set the poem to music out of, as she put it, “pure unadulterated homesickness for Alaska!” The song was quite popular; it was chosen as the territorial song in 1955 and became the state song when Alaska became the 49th state. It is the only state song about a flag.
Eight stars of gold on a field of blue Alaska’s flag. May it mean to you The blue of the sea, the evening sky, The mountain lakes, and the flow’rs nearby; The gold of the early sourdough’s dreams, The precious gold of the hills and streams; The brilliant stars in the northern sky, The “Bear,” the “Dipper,” and, shining high, The great North Star with its steady light, O’er land and sea a beacon bright. Alaska’s flag to Alaskans dear, The simple flag of a last frontier.
Coming soon(?), the state flags that require minor alterations.
Happy Independence Day! We’ve made it a tradition to begin flying a historic American flag on each July 4th. In 2018, it was the “Betsy Ross” flag. Last year it was the Bennington Flag. This year we’re flying the only American Flag to have anything other than 13 stripes.
The original United States Flag act was passed on 14 June 1777 and established the familiar 13-stars and 13-stripes that are still recognizable today.
But then, Vermont joined the Union as the fourteenth state in 1791 and Kentucky followed suit the following year. Two years later, the United States changed its flag for the first time, adding both a star and a stripe for each of the new states.
That from and after the first day of May, Anno Domini, one thousand seven hundred and ninety-five, the flag of the United States, be fifteen stripes alternate red and white. That the Union be fifteen stars, white in a blue field.
The United States Flag Act of 1794
But this flag is notable for more than merely the number of stripes. Also known as the “Great Garrison Flag,” it is this version of the American flag that flew over Fort McHenry during the Battle of Baltimore in the War of 1812.
It was seeing this flag both before and after that battle that inspired Francis Scott Key to write the poem Defence of Fort M’Henry which, when sung to the tune of To Anacreon in Heaven became our national anthem in 1931. And that gave this flag its far more famous name, “The Star-Spangled Banner.” If you’d thought Vermont and Kentucky waited a long time to be included on the U. S. Flag, the flag wasn’t changed again for another 24 years.
In the meantime, Tennessee (1796), Ohio (1803), Louisiana (1812), Indiana (1816), and Mississippi (1817) had joined the union. Tennessee had to wait for nearly a quarter-century for their star to officially be added. That seems strange to me. For Vermont and Kentucky, there was an existing national flag with established symbolism. Now the precedent of including new states had been established; the public responded with a variety of unofficial flags that added stars and frequently stripes, like this version with 17 stars and 17 stripes. It and an assortment of other flags from this time can be seen at the Zaricor Flag Collection.
You might be wondering what our flag would look like if we’d continued to add stripes as well as stars. So did Michael Orelove of the Portland Flag Association. He went a step further and had one made; it looks kind of cool. It’s interesting, but it’s very pinstripey. Joanne’s reaction was that it “messes with my astigmatism.” On the PFA blog, Scott Mainwaring points out that it would look pink from a distance. There are disadvantages, but in the era of printed flags, making such a flag is feasible. I can’t imagine trying to make such a thing by sewing red and white strips of cloth together.
It wasn’t until after the War of 1812, that the congress finally got serious about updating the flag when Peter Wendover, a representative from New York proposed forming an exploratory committee to find “an unessential variation” to the flag. He suffered the fate of many who proposed creating a committee; he was put in charge of it.
Wendover consulted Samuel Reid, “a privateer and naval hero of the War of 1812.” Reid was the first to propose maintaining 13 stripes on the flag. He designed three flags, a people’s flag with 20 stars in a “great star” pattern, a governmental flag for federal use, and a “Standard of the Union” for use at celebrations. Congress settled on the first version, with 20 stars and 13 stripes. Invoking the founders, Wendover argued, “In their memory, and to their honor, let us restore substantially the flag under which they conquered, and at the same time engraft into its figure the after-fruits of their toil.”
An Act to establish the flag of the United States.
Be it enacted by the Senate and House of Representatives of the United States of America, in Congress Assembled, That from and after the fourth day of July next, the flag of the United States be thirteen horizontal stripes, alternate red and white: that the union be twenty stars, white in a blue field.
And be it further enacted, That on the admission of every new state into the Union, one star be added to the union of the flag; and that such addition shall take effect of the fourth day of July then next succeeding such admission.
The United States Flag Act of 1818
The 1818 Flag Act did two things that were smart. It limited the number of stripes to 13, and it established that the flag would change on July 4th after each new state joined the union. It remains in force today.
Joanne played this audiobook for me on our last long drive; something was vexing me and this true, compelling yarn proved to be the perfect tonic.
I wouldn’t normally warn about spoilers for a book first published in 1998, but I learned today that this book was made into a movie starring Mel Gibson and Brad Pitt which premiered this year (2019) in limited release. If you’re worried about it, there are some slight spoilers below; you can come back and read this after you’ve seen the movie or read the book.
The story starts dramatically with a murder, an unprecedentedly brutal homicide by the standards of London in the 1870s. Dr. William C. Minor, an American whose mental health had eroded since his service in the Civil War, shot George Merrett in the throat and then waited calmly for the police. It had been a terrible mistake he confessed; he was attempting to chase away a man who had broken into his room to torment him, a figment of his dementia. He was soon committed to the Broadmoor Criminal Lunatic Asylum, creating the circumstances where he would become one of the most prolific contributors to the creation of the Oxford English Dictionary.
The book proceeds, at least at first, as a bibiography, by which we understand a biography focused on two subjects. (Editors of the OED please note: this may be the first recorded use of this word as I have just now made it up. This is probably moot however as it doesn’t really seem to be a very good word after all; it sounds like a stutter and is too easily mistaken for ”bibliography.”) The second subject, the titular professor, is Dr. James Murray, who rose from humble beginnings to become the editor of the Oxford English Dictionary throughout the lion’s share of its creation.
Their stories and the interplay between the two men is enthralling, but ”The Professor and the Madman” is far more than a shared biography of two men. The author turns lovely phrases and paints vivid scenes. There is a fascinating account of the debate about whether the word ”protagonist” could ever be used in the plural. The story of the creation of the OED becomes a history of all English lexicography and is far more compelling than it has the right to be.
Like most biographies, the ending is bittersweet. Dr. Minor’s end is pitiful as his facilities continued to desert him. The end of Dr. Murray’s life is a study in unfinished business. He toiled on the OED until his passing just shy of his 80th birthday and did not live to see its completion. But at least there is the coda of the OED itself; completed and now well on its way to a third edition, it can stand as a monument to both of these men’s lives.
Thus, I strongly recommend the book. I can’t speak for the movie, but we plan to check it out at our earliest convenience.
There are many variations of the United States Flag that were used in the early days of the republic. One of the more interesting is the Serapis Flag which we are now flying. Its existence is intimately tied to the Battle of Flamborough Head fought 240 years ago 0n 23 September 1779.
The story of the Serapis flag begins with the story of John Paul, a ship captain. Paul fled his native Scotland after killing a crewman who mutinied over wages, presumably refusing to trust his fate to an Admiralty Court. Paul emigrated to the colonies, renamed himself “John Paul Jones” and befriended Benjamin Franklin. He joined the Continental Navy, rose through the ranks and became the United States’ first famous naval commander. He is sometimes called the Father of the U. S. Navy. By 1779, Jones was in command of the Bonhomme Richard, named in honor Franklin’s pseudonym from Poor Richard’s Almanac.
Bonhomme Richard was a former merchant ship that had been armed and upgraded to a ship of war. It led, under Jones’ command, a small squadron of ships. Near Flamborough Head, Yorkshire, this squadron encountered a British convoy under the protection of the HMS Serapis. Conflict ensued and Bonhomme Richard took severe damage from the better armed Serapis. When the British captain asked if the Richard had struck her colors (meaning that they had lowered their flag as a sign of surrender) Jones is said to have replied with the famous “I have not yet begun to fight!” The flag, in fact, had been destroyed in the battle.
Eventually, the tide of the battle turned and Jones managed to lash Bonhomme Richard to the Serapis. The American crew was able to board and capture the British ship while their own ship, badly damaged and on fire, sank into the North Sea.
But what does this have to do with the Serapis Flag? Only this. Jones, now in command of the Serapis, put into a neutral Dutch port for repairs. British officials accused Jones of being a pirate and demanded his arrest. He was, after all, sailing a captured ship which was not flying the colors of any known nation. Bonhomme Richard’s flag, remember, had been blown into the sea. A flag was hastily created for Jones’ ship and entered into the Dutch records, allowing the Dutch to officially recognize the captured ship.
The Serapis Flag was created according to a description of United States flag that was provided by Benjamin Franklin, who was then Ambassador to France.
“It is with pleasure that we acquaint your excellency that the flag of the United States of America consists of thirteen stripes, alternately red, white, and blue; a small square in the upper angle, next the flagstaff, is a blue field, with thirteen white stars, denoting a new constellation.”
The Revolutionary Diplomatic Correspondence of the United States
And thus, this slightly garbled recounting of the Flag Resolution of 1777 is responsible for the distinctive look of the Serapis Flag. Because of this, the flag is also known as the Franklin Flag. It remains popular today and is frequently used in historical displays because of its uniqueness and its recognizably American character.
We’re watching the real time feed of the Apollo 11 coverage. It’s awesome! I’m personally immersed and it’s surprisingly easy to pretend that this is going on right now. It’s nice to remember a time that America did great things. Mostly we’ve seen shots like this one. There’s clearly an alien or a stagehand or something moving around behind the faux lander.
Occasionally we see the simulation of what’s happening inside the capsule. I hate to admit that it looks hilarious. There might be an actual astronaut inside one of the fake suits. That would explain the muffled explanation.
Meanwhile, Armstrong is about to go EVA. They spent a startlingly long time waiting for the cabin to depressurize. And I’m wondering if there’s a guy in a moon man costume somewhere. That’s secret of a successful simulation. Preparation. Will there be moon men? Probably not, but you have to be ready for the unexpected.
Armstrong’s backing out of the lander, still seeing simulations.
Real picture. Very fuzzy. Cronkite thinks Armstrong’s stepped on the Moon. It’s not completely clear to me.
There it is. “One small step for man, one giant leap for mankind.” Followed by a description of the sand. And the environment.
Now we’re seeing Armstrong bounding around in the low gravity. “That looks like fun” says Cronkite. Later he compares it to walking on a trampoline.
And Aldrin’s on the surface. Soon they’re going to move the camera.
Here’s a shot from the new camera position, with both astronauts.
And they’ve now planted the flag. The point is made that this is NOT the traditional claiming of territory; this is just a statement that we have been there and a reminder of what we’ve accomplished.
Finally, for this post, Armstrong and Aldrin get a congratulatory call from President Nixon. They haven’t been on the moon for an hour yet. If you haven’t watched this yourself, I can’t recommend it more strongly.
Now I’m going to just relax and enjoy. I hope you do too.
Today is 20 July 2019; fifty years to the day that humans first set foot on another celestial body marking the culmination of the Space Race and one of humanity’s greatest technological achievements.
To commemorate the occasion, we’re flying a flag featuring the NASA Insignia, a streamlined version of the NASA seal. Other than the the fact that it contains text, the insignia is a perfect centerpiece for a flag. It’s striking without being too busy and it’s easy to sketch. It also has nice, clear symbolism.
From the NASA website:
The round red, white and blue insignia, nicknamed the “meatball,” was designed by employee James Modarelli in 1959, NASA’s second year. The design incorporates references to different aspects of the mission of the National Aeronautics and Space Administration. The round shape of the insignia represents a planet. The stars represent space. The red v-shaped vector represents aeronautics. The circular orbit around the agency’s name represents space travel.
We spent a decent amount of time deciding which flag to fly for the occasion. Our first thought was the Earth Day flag, and then an Earth Day flag with a stylized crescent moon and the southern cross, but neither of those seemed to feature the Moon clearly enough. There were other options, but the NASA flag seemed most appropriate.
The first two options above could be deemed “photograph flags” and, for my purposes, flying a flag based on a photograph seems fine. If any of the images below were available in flag form, we might have chosen it. Perhaps I’ll order one of these custom made for the 51st anniversary.
The flag played a prominent role in the Lunar Landing. One of the more dramatic moments was the raising of the flag, which I can clearly remember seeing on the teevee. I explicitly recall being puzzled about the flag’s behavior. It seemed to snap out with the top sticking straight out from the pole. I was only five, but this seemed strange. I’d seen flags before and they certainly didn’t do this. It must be something strange about space, I thought. Or the Moon. Or something else. Here’s the news footage.
Turns out the flag had its own “frame.” Five year old me missed that. If you have any doubts about the significance of the flag in this event, let’s turn to Arthur C. Clarke’s July 20, 2019: Life in the 21st Century. Published in 1986, this book is a collection of Clarke’s speculations about the state of life and technology on this very day. The first chapter is a fictional letter, written by Clarke himself, from his home in Clavius City, Luna on the book’s titular date. It begins thusly.
It doesn’t seem like fifty years – but I cannot be sure which memories are false and which are real. Present and past are inextricably entangled. The monitor screen has just shown the ceremony at Tranquility Base, culminating with the third hoisting of the American flag. It was blown down, of course, by the blast of the Eagle’s ascent stage, and lay there on the trampled Moon soil for thirty-six years until the Apollo Historical Committee reerected it. Then the big quake of 2009 knocked it down again; this time, we’re assured, it would take a direct hit by a fair-sized meteor to lower it…
Arthur C. Clarke’s July 20, 2019: Life in the 21st Century
It’s a romantic image; historical societies reerecting and preserving the flag for future generations to see and enjoy, but sadly, that may never come to pass. The condition of the flags on the moon is a subject of speculation. The conditions are harsh. The surface is bombarded with UV radiation without the protection we receive from Earth’s atmosphere and the temperature ranges from -280 to +240 degrees Fahrenheit. Some of the flags could have disintegrated entirely. At a minimum, the flags must be so sun bleached that they are now completely white. At least as recently as 2012, however, there was evidence that the flags of Apollo 12, 16 and 17 were still standing. You can read about the condition of the flags in the links below.
Clarke, A. C., July 20, 2019: Life in the 21st Century, Macmillan, 1986
In just a few minutes, it will be 20 July, 2019: the 50th Anniversary of Neil Armstrong and Buzz Aldrin becoming the first humans to walk on the moon. I’ve periodically looked for contemporary news coverage on YouTube. In particular, I’ve really wanted to see the interviews on CBS News with Arthur C. Clarke and Robert A. Heinlein.
Unsurprisingly, there’s a wealth of things on YouTube now. Here’s a sampling as our first commemoration of the semi-centennial of the first moon landing. I haven’t reviewed all of this yet; I may update the selection as I do.
This appears to be a comprehensive collection of all of the CBS coverage of the landing. It’s only the audio and it’s about 6 hours long.
Coverage of the launch, with video from 16 July 1969. Arthur Clarke is on hand for some of this. It looks like this started out as a live stream and it’s now up as a video.
Here’s the live stream of the CBS News Coverage, starting at 3:30 EDT.
This is the CBS coverage from the exact moments of the Moon landing. A bit more than 3 minutes.
And here are Armstrong’s first steps on the moon. About 4 minutes.
You can clearly hear Armstrong’s quote, “One small step for man, one giant leap for Mankind.” Cronkite didn’t quite hear it all first time through. Of course, there were many people who thought it should be “One small step for a man…” Armstrong’s response? “That is what I meant to say and that is what I thought I said.” It’s possible that he did say that.
Finally, the end of my personal quest, the interview with Clarke and Heinlein.