Votes for Wonder Women

3x5 19th Amendment Victory Flag Women's Suffrage Right to ...

It’s now the 100th Anniversary of the day that Tennessee became the 36th state to ratify the 19th Amendment, and the United States officially recognized women’s right to vote. We’re once again flying a “19th Amendment Victory Flag” to mark the occasion. I wrote about this flag last year. It’s based on the flag of the National Women’s Party, a gold, white and purple tri-color with 36 stars added for the thirty-six states that approved the amendment. The story about how the amendment passed is great. It’s also amazing that something that seems so unequivocally the right-thing-to-do by modern sensibilities came down to a single vote. You can find that story in last year’s article, 19th Amendment Victory Flag.

A turning point in that story involved a political cartoon where Carrie Chapman Catt, the president of the National American Woman Suffrage Association, was sweeping the letters “RAT” toward the letters “IFICATION,” symbolizing the campaign to support the amendment. When I was thinking about what to write this year, I spent some time looking for that political cartoon. If you’ve read this blog, you know I like to write about comics and I like to write about history and flags. History and flags are part of the “The Universe and Everything” part. Anyway, at some point I put “Carrie Chapman Catt” and “Cartoon” into duckduckgo.com and I stumbled upon something in the nice triple intersection of the Venn diagram that’s implied above. Ha! Math! There’s another thing!

I’ve always considered DC Comics to be the more conservative of the two major comic book companies. They were static for a long time while Marvel was innovating and they were so dedicated their own house style that they had other artists redraw Jack Kirby’s pictures of Superman when he was working on Superman’s Pal, Jimmy Olsen. I get that those are small-c conservative, but you have to admit that’s pretty conservative. It’s like putting pants on Michelangelo’s David.

But there were pockets of progressive-ism as pointed out by Tim Hanley on his blog, The 1940s Justice Society Of America Were A Surprisingly Progressive Bunch. That’s well worth a read as is his post on Wonder Woman’s place in the JSA.

So, what was in that intersection mentioned above? “Wonder Women of History” a back-up feature that ran in Sensation Comics and Wonder Woman for twelve years starting with Wonder Woman #1 in 1942. Each issue featured a short biography of 1 to 5 pages, full of cheesiness and hyperbole. These included the stories of figures like Abigail Adams, Joan of Arc, and Marie Curie. Among the women featured were two important leaders of the suffrage movement taking us from the Seneca Falls Convention to the passage of the 19th Amendment.

And in honor of the Centennial that Amendment, here is the biography of Susan B. Anthony from Wonder Woman #5 (June-July 1943).

We also present the reason for the search result; Comic Vine tells me that Carrie Chapman Catt is a comic book character in Wonder Woman #26 (November-December 1947). That has the incongruous title of “Speed Maniacs from Mercury.” Luckily, that’s not the story in which Mrs. Catt appears.

Eventually, Wonder Woman of History was replaced with makeup tips and advice on landing a husband because DC is so progressive. But the Wonder Women of History were fun while it lasted. If you like these, there are a lot more here. It was nice when comics tried to educate as well as entertain.

References:

59 Years of the Fantastic 4

Happy Belated Fantastic Four Day! Fifty-nine years ago this week Fantastic Four #1 hit the stands and to quote Aunt Petunia’s favorite nephew, “Nuthin’ was ever gonna be quite the same again.” The Fantastic Four is one of those things that I’ve liked as long as I remember. As a kid, I knew them first from their 1967 animated series. I don’t remember it that well; (it’s not like we form a lot of detailed memories when we’re three), but I liked it. Here are three personal firsts that are related to the Fantastic Four to mark the anniversary.

My First Fantastic Four Comic

The first Fantastic Four comic I remember buying was Fantastic Four #126 (September 1972). This was about a year before I decided I was “officially” collecting comics; I was getting comics pretty sporadically at the time. But what an amazing place to start! Inside, the title is “The Way It Began!” and the cover is a stunning recreation of Kirby’s cover to FF#1 drawn by the inimitable team of John Buscema and Joe Sinnott. This comic defined my mental picture of the FF for all time.

The story is good as well. Initially, Roy Thomas treats us to the standard flavor of family brouhaha with which Lee and Kirby brilliantly began so many issues. Reed tinkers and then does the absent-minded-professor thing. Ben and Johnny bicker. Sue tries to keep things on track. Also Alicia. Classic. This leads us into a framing sequence where Ben is reminiscing using Reed’s thought-projector helmet which does exactly what one would expect a thought-projector helmet to do.

The thought-projector helmet… erm… projecting thoughts.

Ben then narrates a shortened version of the origin from FF #1, which ends with the iconic image below. I expect that many copies of this issue are missing this page; it’s one of the quintessential team pin-ups.

Short summaries of the team’s first encounter with the Mole Man and the Mole Man story from issues 88-90 follow. In that last story, the Mole Man uses a device that blinds the team and Ben has an epiphany. If the Mole Man’s device can blind and cure the team, maybe he can use it to cure Alicia’s blindness. He storms off intending to help her.

After a year or two, FF #126 was made into one of those Power Records sets with the recorded dialogue. If Johnny’s voice sounds familiar, that’s Peter Fernandez, aka Speed Racer! (The “!” may be obligatory). Thanks to the magic of YouTube, you can experience the entire issue with the dialogue abbreviated somewhat here.

My First Blog Post.

Two years ago Marvel published a facsimile edition of Fantastic Four #1, part of the promotion for the latest series of Fantastic Four that started shortly thereafter. That seemed like a big deal at the time. “The World’s Greatest Comix Magazine” had been off the market since April 2015 because some executive at Marvel was having a pissing match with 21st Century Fox and didn’t want to do anything to promote Fox’s latest FF movie including publishing their own flagship title.

Anyway, I’d wanted to review the Facsimile edition. I’d previously done some short reviews that I posted on Facebook, like this one and this one here, but a Facebook post was utterly unsuitable for what I wanted to do for the Facsimile edition. I wrote All In Color for Forty Dimes and a week or so later I had a blog. This blog.

My First Fan Letter

https://cdn.flickeringmyth.com/wp-content/uploads/2018/09/694044._SX1280_QL80_TTD_.jpg

The letter itself is pretty self-explanatory. It wasn’t printed because as I now realize it’s much too long. For your edification, an open letter to Dan Slott, referencing Fantastic Four (2018) #2. What do you need to know about the book to appreciate the letter? Not too much. This is the first time we’ve seen Reed, Sue, and the kids since Secret Wars. They, along with Molecule Man and the Future Foundation have been rebuilding the multiverse one universe at a time. Franklin rebuilds the universes and then the group explores them; they’ve been at it for five years or so and time seems to have passed more quickly for them than it has on Earth. Franklin and Valeria are teenagers.

At some point, Franklin loses the ability to create universes. Evidently, all is now right with the multiverse; Franklin is done.

And the “Multiverse” has to fight back as the personification of one of the fundamental forces of nature.

Confrontation commences. It’s not pretty. Then this.

You can read the rest for yourself; here’s my letter.

Dear Dan,

Fantastic Four has been my favorite comic for almost forty years.  I’m thrilled to have Fantastic Four back on the spinner racks; the Marvel Universe doesn’t work correctly without its first family.  When I heard that you’d be helming the book, I was pleased.  You always seemed to have a good understanding of the characters; from their guest appearances in Amazing Spider-Man, to your 8-issues on The Thing and everything in between.

Issue 1 was an unadulterated pleasure.  I also really enjoyed issue 2, but there was one false note I’d like to address.

Reed is a tricky character to write; this was never more evident than in Civil War.  Tony is an engineer who thinks pragmatically.  His position in Civil War made sense.  Reed by contrast thinks like an academic working forward from first principles.  He has strong sense of right and wrong.  He should have been the first person to come over to Cap’s side, rather than the last.  Reed’s characterization in that series is wildly off the mark, it’s almost closer to Victor than it is to Reed.  Civil War 2, incidentally, showed us how necessary the Four are to the Marvel Universe.  In that series, Reed was the person we needed to refute Carol’s arguments, but Reed was unavailable.

So what didn’t ring true in FF #647/2?  That Reed would bypass 208 realities teeming with life to secure a better chance of saving the rest.  Reed decides things based on principles, not pragmatics.  When Galactus lay dying, it was Reed who insisted on saving him despite the risk; Tony, the pragmatist, was overruled.  Reed is confident; he strode into the afterlife without hesitation to save Ben.  We see this confidence after the Future Foundation was routed by the Griever.  It should have been evident before then.  Reed doesn’t make tactical retreats nor does he take the easy way out.  In the Galactus Trilogy, a tactical decision might have been to try to quickly develop a way to preserve some life, while Galactus consumed the Earth’s energy.  Instead Reed confronted Galactus with the Ultimate Nullifier.  A riskier decision, but one that preserved virtually all life on Earth.

I hope this is helpful.  Aside from this, these first two issues were like a trip home.  You have to be careful writing Reed.  When you start pulling parts out of what makes him Mr. Fantastic, you could end up with the Maker and that would be a travesty.

Joseph F. Kolacinski
Horseheads, NY

Reed’s characterization has been hit-or-miss for a while; at least since Civil War. One of those posts that’s been waiting in the wings is called “Writing Reed Right,” but that’s a big undertaking. I don’t even have a guess as to when that might be finished.

Where’s a thought-projection helmet when you need one? I hope you enjoyed my reminiscences. We’re now on a twelve-month countdown to the 60th anniversary. We’ll need something pretty big for that. Any suggestions? Do you remember your first Fantastic Four comic? Let us know in the comments!

Star Trek: Lower Decks – “Second Contact”

https://comicstheuniverseandeverything.files.wordpress.com/2020/08/ceafd-star2btrek2bthe2bnext2bgeneration2bwarped2ban2bengaging2bguide2bto2bthe2bnever-aired2b8th2bseason.jpg

I’ve been looking forward to Star Trek: Lower Decks for a while now. Maybe more than a while. They’ve been talking about a Star Trek series featuring the support crew for a long time. I think that initially morphed into the Next Generation episode that was also called “Lower Decks.” That was a fine, but not a spectacular episode of TNG. The notion surfaced again, sort of, with Star Trek Discovery, the only Trek series where the captain was not the central character. Lots of people seem to like Discovery, but I don’t really care for it. 

It was the show-runner who got my attention. Mike McMahan had a twitter feed, and that twitter feed spawned a book. It’s called Warped, and it’s about a mythical eighth season of Star Trek: The Next Generation. This season, kept secret, was purposely so bad that it would force Paramount to cancel the series. Warped is pretty good, but not so good that I actually finished it. There are still some good bits like Westley splicing tribble DNA into Data’s cat, Spot, and the final fate of the Vulcan Punk band “Logic Lice!”

https://i1.wp.com/cdn.collider.com/wp-content/uploads/2017/09/rick-and-morty-rest-and-ricklaxation.jpg

McMahan was also a writer on Rick and Morty which isn’t everyone’s cup of tea but it is consistently well written and interesting. It’s also deeper than most people probably think it is. If you want to see a classic trek concept (“The Enemy Within”) spun in an interesting way check out “Rest and Ricklaxation.” McMahan didn’t share a writing credit on that but he was head writer for a while and he did write “Total Rickall“, “The Rickshank Rickdemption,” and “Edge of Tomorty: Rick Die Rickpeat,” all of which are both excellent and hilarious.

That’s a lot of preamble if I’m here to talk about Lower Decks. How was the first episode? I really enjoyed it. More importantly, I laughed. A lot. It’s recognizably Trek. It turns out that what that idea to make a show about, as McMahon puts it, “the people who put the yellow cartridge in the food replicator so a banana can come out the other end,” work is animation, comedy and some good writing. The pilot, “Second Contact” is a lot of fun. Mariner and Boimler immediately fall into some familiar patterns and Tendi reminds me of Bashir when he first arrived at Deep Space Nine; full of awe and enthusiasm.

Animation Magazine | The News, Business, Technology, and ...

I liked how a much bigger story involving the senior staff developed behind the more mundane adventures of the ensigns and how these all dovetailed into a satisfying denouement. There are enough references to classic trek to give an old fan like me a warm feeling about the show. That includes the theme music by the way. It’s evocative of Alexander Courage’s original theme but just when you think you know where it’s headed it veers off in a different direction. Paradoxically the theme seems simultaneously very much the same and very different from the original series’ theme.

https://newslagoon.com/wp-content/uploads/2020/08/startreklowerdecks04.jpg

“Second Contact” isn’t perfect. Like most pilots, it’s an origin story and like most origin stories the plot takes a bit of a back seat to character introductions. At this stage, most of the characters feel like archetypes, but the broad outlines are solid and I’m looking forward to watching the show fill in those outlines. It’s refreshing to see a lighter take on Star Trek again. Modern trek has taken itself very seriously up til now, but comedy is also part of the franchise’s DNA. I’m looking forward to seeing the spiritual descendants of “Q Who” or “A Piece of the Action” and Lower Decks may be the show to give us those.

I give “Second Contact” four stars.