My Voyager Rewatch: S4E21

Happy Star Trek Day! It’s been busy, but I didn’t want to let the day roll around to midnight without posting something. So here’s another installment of my Voyager Rewatch. It’s nice that we have an outstanding episode for Star Trek Day, one of my favorites from Season 4.

I might post something else apropos in a day or so, but the start of it is way back in my Twitter feed and the more you tweet the harder it is to find something filed in reverse chronological order.

In an interesting bit of synergy, I realized that today is also the fourth anniversary of this blog. If you’re interested in my first post, you can find it here, “All in Color for Forty Dimes.” That’s a glorious start to a deluge of nonsense with occasional insights here and there.

So, without further ado, “The Omega Directive!” Let’s go!

My #StarTrekVoyager rewatch S4E21 “The Omega Directive.”

There’s an actual funny moment over a kal-toh game. That’s a good sign after some less-than-mediocre episodes. This looked like it would be a Seven-heavy episode; then it went sideways. There’s a real sense of mystery. Nothing is dumb so far.

“The omega phenomenon” has been detected within 1.2 light-years. “All other priorities have been rescinded.” Janeway’s locked in her ready room… the crew is being given puzzling orders on a “need to know” basis… so far, this is excellent.

The Borg know about the “Omega Molecule,” and of course, Seven and Janeway have radically different ideas about what to do. Turns out the kal-toh game in the teaser was a nice bit of foreshadowing. There’s a powerful scene between Janeway & Chakotay. As we’ll see, this needs everybody.

Okay, the technobabble explanation is dumb but can be ignored. The stakes are high, and tension rises. “For the duration of this mission, the Prime Directive is rescinded.” This is like Genesis. Later: “The Final Frontier has some boundaries that shouldn’t be crossed.”

Seven designates a crewman as “3 of 10.” Chilling, but it doesn’t play out as I expected. Another powerful scene with Seven and a survivor. Another perspective on the crisis: his people need the energy from the Omega molecule to survive.

Ahhh! Blue light!

Seven has a perspective on Omega from her time as a Borg. She views it as perfect with almost religious fervor. But she follows Janeway’s lead anyway. That’s real development. The climax is exciting and well done. But the spiritual stuff at the end is too simplistic and abrupt, marring an otherwise Great episode.

Nonetheless, this one is an exemplar. It’s a good story and depends on Voyager’s journey through the Delta Quadrant. The show needs more episodes like this and fewer things that seem like rejected TNG scripts.

Rating: 4.5 out of 5.

#StarTrek #StarTrekVoyager

Images used under the fair use doctrine.

My Voyager Rewatch: S4E05

My #StarTrekVoyager rewatch S4E05 “Revulsion”

This is the episode that derailed me last year. The entire thread disappeared into the aether and It was so bad that I couldn’t revisit it too soon. Now though, here we go!

A short teaser. A hologram hides a body, cleans up a crime scene & sends a distress call.

A testimonial for Tuvok: fake laughter at unfunny stories. Annoying. But Tuvok gets promoted; like he hadn’t already worn the rank pins for lieutenant commander for several episodes. Why is the Vulcan the only funny one?

Then Paris and Torres are cringy. “You must have been suffering from oxygen deprivation to say you loved me!” Ugh!

In other tedious bits of bookkeeping, Voyager finally gets the distress signal. The Doctor is ecstatic to meet another hologram. It’s obvious that Dejaren, who calls himself an isomorph, is dangerously unstable.

They hit us over the head with it. Our away team spends too much time talking about how dangerous the isomorph is then the doctor teaches the homicidal hologram how to control the ship. Genius!

“Spectrum” though is a great name for a holographic goldfish. That’s the high point.

The show is trying to do a bit of horror that doesn’t work very well.

The B story with Seven and Kim is mildly amusing at the end but not nearly worth the trouble of getting there. Janeway and Neelix disappear less than 8 minutes into the episode. The rest is a bunch of scenes cut together with only two cast members. Occasionally three. The episode seems designed to give some people a week off. Giving everyone a week off, including the audience, would have been preferable.

Rating: 0.5 out of 5.

#StarTrek #StarTrekVoyager

Images used under the fair use doctrine.

Stars End S3E18

“There is no Podcast Without a Podcaster”

First British Edition Cover

You know what? Solaria is weird.

Looking back over our podcast, it turns out that a lot of Asimov’s work is weird. Solaria may not be Mycogen-weird, but it’s pretty weird.

Last time we were introduced to the extreme isolation of Solarians and the preponderance of robots. Those were weird. And that seeing vs. viewing thing? That was weird too.

This time? Murder attempts where only Asenion robots are present? Weird. Fetuses grown in vats? Weird. Child farming? Weird. A plot to make the entire Galaxy like Solaria? Weird. And there’s lots more!

So, what do we learn this time? Solaria is weird. But don’t take my word for it, listen to the episode and you can see for yourself! Let’s go!

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My Voyager Rewatch: S4E20

My #StarTrekVoyager rewatch S4E20 Vis à Vis

The holodeck is getting tiresome; we watch Paris play auto mechanic as the Doctor berates him about his duties in Sickbay. Tom is being a pain in the ass and there’s nothing about how the ship was torn apart over the last two episodes.

The alien ship is powered by a “coaxial warp drive.” Paris says it can allow a ship to travel huge distances instantaneously but I think it’s about free cable. But keeping with the mechanic motif, Paris has a technobabbley way to save the alien ship. Also, the budget must have grown because the alien has more latex on his forehead than usual.

Tom’s also being a misanthrope again. Why not go back to that well? The coaxial drive “draws in subatomic particles and reconfigures their internal geometries.” It’s like they’re not even trying.

Now Tom’s being an ass to B’Elanna. Was there any clue about this coming? Because it seems like bad writing. Practically halfway through the episode and I realize the alien is Bulldog from Frazier. This was too-slow of a build for something that is essentially “Face Off.”

But Vis à Vis literally means “Face to Face” so no surprise there. I suppose that Tom being an ass created the opportunity for “Tom” to move around Voyager undetected, but it all feels awkward and false.

This might have been slightly more interesting if “Tom” had switched bodies with Janeway while they were in the same room together. Huh. That’s what happened but it’s still not very interesting. That’s it. Everyone gets back in their own bodies and Tom makes up with B’Elanna. Everything is reset to normal with no consequences. Again. Meh.

Rating: 1 out of 5.

#StarTrek #StarTrekVoyager

Images used under the fair use doctrine.

Next Time on Stars End

Last Sunday we recorded our latest episode as we continued to bask in The Naked Sun.

In this episode, we talk about the middle section of Asimov’s novel as published in the November 1956 issue of Astounding Science Fiction.

That corresponds to chapters 7 through 12 in the book.

There’s less hype this time except for the presence of part one in the October issue; Part two was not mentioned in Campbell’s Things to Come and wasn’t on the issue’s cover. Who is James H. Schmitz by the way? I don’t know!

But that doesn’t mean that nothing happened in this installment!

We see the aftermath of the assassination attempt of Hannis Gruer and learn what constitutes “sociology” on Solaria. We meet Gruer’s stand-in as Head of Security and watch as Baley gets to go walkabout across the planet. We also learn an uncomfortable amount about Solarian childrearing and witness a second, seemingly impossible assassination attempt on this world so filled with three-laws robots!

Here’s John W. Campbell’s blurb that precedes this installment!

Second of Three Parts. Lije Baley was investigating a murder. Usually, an alibi proves physical impossibility; on robot-dominated Solaria, a different question arose. Is a robot’s conditioning “physical” or “psychological” impossibility? And is there any such thing as “psychological impossibility”? And if it exists for robots, does it for humans…?

Astounding Science Fiction November 1956

The illustrations this time are again by H. R. Van Dongen.

The available scans were not great, but I cleaned up the images as much as possible. If I keep this up, I may need to learn a lot more about that process.

Season 3, Episode 19: coming soon to anywhere the finest podcasts are sold!

Resources

  • Asimov, Isaac. “The Naked Sun, part 2” Astounding Science Fiction, November 1956, pp. 96-151.
  • Asimov, Isaac. The Naked Sun, ©1956, 1957, 1983, Bantum Spectra

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Stars End S3E17

“A Podcast in a Frenzy Can Do Surprising Things”

The Doubleday cover

Some things can’t be seen.  If you’ve listened to our podcast, you know that we’ve bemoaned the fact that although there was a BBC adaptation of The Caves of Steel, we cannot see it because all known copies of the original tapes have been destroyed.

Did you know that there was also a BBC adaptation of The Naked Sun?  It came out in the third season of Out Of The Unknown and starred Paul Maxwell as Elijah Baley and David Collings as R. Daneel.  We can’t see that either.  You’d think that the BBC would have learned its lesson by 1969, but no such luck.  All known copies of those tapes have been destroyed as well.

And then there’s Joseph’s friend Andy, our special guest in this episode.  He has studiously avoided having a social media presence and so he’s something else that can’t be seen, online anyway.

Paul Maxwell as Elijah Baley

In The Naked Sun, we learn all about things that can’t be seen.  Lije wants to see the crime scene and he wants to see the outside and he especially wants to see Gladia but the Solarians are determined that he only view these things.  Seeing is not the same as viewing.

But sometimes we can hear even if we can’t see.  That episode of Out Of The Unknown?  There’s a reconstruction, so the soundtrack must still exist.  You can hear that if you can find a copy.

“Andy” artist’s rendition.

You can hear Andy here on the podcast, in his World Wide Web premier.

And you can hear about chapters 1 through 6 of The Naked Sun because that’s what we’re talking about this time.  We’ll get to that viewing vs. seeing thing and much more!

So join us! You’ve got to hear this!

Simultaneously published at…

Next Time on Stars End

In our last episode, we reached the end of The Caves of Steel. In our next episode, now in post-production, we continue our trip through the Robot Novels with The Naked Sun. We’re joined as our latest special guest by Joseph’s old friend Andy who has no discernable social media presence.

Asimov serialized The Caves of Steel in Galaxy Science Fiction because the editor, Horace Gold, suggested the idea of a human detective with a robot partner.

But three years later Asimov was increasingly interested in writing popular science and hadn’t published anything with John W. Campbell in a while. He decided to return to his roots and The Naked Sun was serialized in Astounding.

And Campbell did his best to capitalize on the famous author’s return. The month before its first segment ran The Naked Sun dominated Campbell’s “In Times to Come” column which highlighted coming attractions. Here’s what he had to say.

On the cover of next month’s issue, you’ll see Mr. Lije Baley, Earthman detective, coming out from underground into the light of The Naked Sun. Isaac Asimov’s new serial is bringing Elijah Baley and his robot partner, Daneel, on another detecting mission. But while the surface activity is that of determining who killed a man when it was self-evidently impossible, the real and important problem Baley has to solve is far more complex. Essentially, it is… “Which Way Is UP? Which way is forward?”


And this time, the problem lies on one of the Outer Planets; agoraphobic Elijah Baley has to solve a problem under the conditions least endurable to him — out under The Naked Sun

Astounding Science Fiction September 1956

For this episode, we read the same portion of the book published in the October 1956 issue of Astounding Science Fiction. That corresponds to chapters 1 through 6.

In this section, Baley is assigned to a murder case on Solaria, the newest of the Spacer worlds. He’s reunited with R. Daneel and we see him struggling with his agoraphobia in planes, spaceships, automobiles, and also in a big fancy house built just for him. We also learn about the murder and meet Gladia (pronounced gla-DEE-ah) Delmarre who is destined to become a major character and helps put the naked in The Naked Sun.

Here are the opening pages and the remaining illustrations by H. R. Van Dongen.

Season 3, Episode 17: coming soon to the aether near you!

Resources

  • Asimov, Isaac. “The Naked Sun, part 1” Astounding Science Fiction, October 1956, pp. 8-62.
  • Asimov, Isaac. The Naked Sun, ©1956, 1957, 1983, Bantum Spectra
  • Campbell, John W. “In Times to Come” Astounding Science Fiction, September 1956, pg. 42.

Simultaneously published at…

Stars End S3E16

“Podcast and Sin No More”

It was right about this time last year; one of us got up in the middle of the night to share the latest Foundation trailer with you right here on this website.

This year there was a sneak peek of Foundation season 2 at San Diego Comic-Con.  It’s more than a week later and we haven’t seen it anywhere.  If that’s about generating interest, they’re missing the mark.

Luckily, we have our own news!

Available NOW! Our very own Jon Blumenfeld stars as Librarian Homir Munn in “Search by the Foundation, Part 1” on Joel McKinnon’s excellent Seldon Crisis Podcast!

Also, in S3E13, we talked about how Asimov said he made “extensive changes” to “Liar!” when he revised it for I, Robot.  Want to know why?  Want to know how extensive?  We plug our line-by-line comparison!

Also, also way back in S1E01, we talked about Joseph’s Grandfather’s artwork.  There’s now a website where you can see and enjoy that artwork!  Please visit JosephFranke.com and see why there’s such a fuss! 

All this plus: we wrap up our conversation about The Caves of Steel!  Jessie is revealed as a Medievalist!  Another murder rocks the NYPD… wait… is it murder? And in the final denouement, we discover who did it in this who done it!  You don’t want to miss all that!  Let’s go!

Simultaneously published at…

Next Time on Stars End

Episode 15 of Season 3 dropped this morning and episode 16 is already in post-production. in it, we’ll be finishing up The Caves of Steel, reading and discussing the third and final installment that ran in Galaxy Science Fiction in December 1953.

Our novel is not featured on the cover again, this time passed over for a nice holiday-themed illustration. Galaxy, evidently had a series of those.

In this concluding installment, Jessie confesses to conspiracy, Lije and Daneel play bad cop, uncomfortably robotic cop with a suspect and Baley cracks the case!

Here’s the promotion for this installment of The Caves of Steel from Galaxy’s November Issue.

Ed Emshwiller provides the artwork and we once again open with a two-page spread.

And here’s the rest of the synopsis if you want to refresh your memory about what’s already happened before you read the last installment or listen to our next episode.

And here are the remaining illustrations from the story. Below we see Daneel closing on Clousarr during the interrogation (left), and R. Sammy as a murder vic… uh… property damage (right). We should keep our legal terms straight.

The final image shows Baley projecting the crime scene for Daneel and the commissioner.

Season 3, Episode 16 will be available soon!

Simultaneously published at…

Stars End S3E15

“I’m sure that if non-Asenion podcasts were ever designed or if the mathematical theory were worked out we’d hear of it.”

We’re not an etymology podcast even though we sometimes make up our own words.  Nevertheless, if you follow our blog you’ve recently read about the origins of the words “robot” and “robotics.”  Asimov has been known to make up his own words too.  In fact, he’s credited in the Oxford English Dictionary as the originator of the word “robotics.”  

In this episode, we learn the origin of the word “Asenion” through a miraculous combination of brilliance, scholarship, and real-time detective work which the uninitiated might dismiss as mere Google-fu.  Did the Great and Glorious Az invent the word “Asenion?”  You’ll have to listen to find out!

Meanwhile, we ruminate over the second section of

the Caves of Steel in which Baley throws around some wild theories, learns the sinister,  not-so-sinister, or not-sinister-at-all designs of Spacetown, and sees an object eerily similar to a slide rule.  If you think that sounds like fun, you’re in for a wild ride!  Join us!

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