Watching Foundation: “The Mathematician’s Ghost”

Watching Foundation – S1E03

Spoiler Alert! There may be plot complications!

You know how this works. Random thoughts about Episode 3, no post podcast revelations this time.

Cleon 1 with Demerzel 400 years previous. He’s dying and wistful, annoyed that although they’ve started the clone dynasty his ego will not persist. Your continuity is assured Dermerzel tells him. It looks like she gets to hold things together while Cleon 2 grows up.

19 years after the StarBridge bombing. The timing is interesting given that we’re just off the 20th anniversary of 9/11. Are we now looking at an analog of contemporary politics?

Sounds like it is Dusk’s final Day, foreshadowed by Cleon I’s flashback.

“The world is starting to see me at a distance” is a nice turn of phrase.

What is “ascension” exactly?

We parallel the passing of the torch metaphor with the tailor somewhat obviously.

Dusk is still questioning what happened with Anacreon and Thespis and pondering if he has anything left to say. “About anything. About whether any of this is truly within our power to control” juxtaposed against an image of Dusk casually swiping through holograms of planets.

They’re still thinking about Seldon though. Dusk is interested in preserving the “last remnants” of C1’s dream. Boy. This is maudlin.

Dusk is C11, “the Painter” on the pedestal where his bust will go.

The final gift is a visit to the remnant of the StarBridge. The three wax nostalgic about C1 and Dawn claims “we will build something greater in his honor. For you.”

Demerzel looks stricken and weepy. They destroy the final remnant of the StarBridge as they leave. Dusk nods his assent but it’s thematically opposed to what he wants. All that debris entering the atmosphere is going to look spectacular though.

It’s not clear; is that glowing thing a permanent memorial?

Jump Ball?

Dusk visits the gestation chamber, “Even if Seldon wasn’t right there is something unnatural in that.” Then he paints a final piece of the mural. Is it Dawn and Day raising a newly ascendent Trantor?

Demerzel: “You are enough. It’s just that you always leave me.”

“You have grown into our greatness, Brother Dawn, now Day.” “Brother Darkness.” Holy crap. He senses something is wrong with the baby as Demerzel pushes him toward the light.

If it wasn’t obvious already, “ascension” is a euphemism for a ritualistic suicide.

This half of the episode is filled with imagery of Demerzel as a driving force, including carrying 11 to his final rest and transferring his ashes to the baby.

17 years later, Day has the Mural erased. Demerzel looks on but can’t stop it. There’s a real thread here about repudiating the past.

“We ignore the dead at our peril.”

Cut to the colonists arriving on Terminus. The Vault is already there. Young Salvor spends a lot of time staring at it. Evidently, they don’t have Apple TV+ on Terminus. They barely have walls. Lots of hints that Salvor is wise. “She’s aware.” Show, don’t tell.

There’s got to be a better way to test the field around the Vault than to torture a bird.

Warden again. Versus mayor? I don’t like it.

Something is up with the field. And we see Granite Hari foreshadowing Hologram Hari.

The Encyclopedists’ conversations are odd. There’s little point in writing about base 10 and not base 12 and there’s little point in writing about the sundial as opposed to the water clock. I assume that they’re planning for the fall of civilization rather than writing the encyclopedia at this point, but isn’t the point of the encyclopedia to WikiHow all this stuff so everybody after the fall has that information?

See? Smug.

And why does Louis Pirenne look so damn smug here?

Also, this whole thing is dumb. Where will the survivors be? Freaking everywhere! What if the survivors are on a planet with no water? What if the planet circles more than one sun? That way lies madness. If the survivors are thrown back into complete barbarism they’re not going to have libraries anyway! And probably they’ll just be thrown back to the point where they think digital watches are a pretty neat idea.

And you CAN preserve every innovation because you’re writing a damn book! You have hundreds of years!

The field is expanding. Now with nose bleeds!

But Salvor is special in case you missed episode 1.

Hugo is supposed to be pretty likable, and either gives beer to children or tricks them into unloading his ship.

A sky full of spilled coins is a lovely image. But they’re using a telescope to look into space during the day. Tell me how that works or I’m going to assume that you screwed up the lighting.

There’s a kid and he’s running with a knife. That can’t be good. Teach your children not to run with scissors before you worry about water clocks.

Also, that looks like the knife that Rayce used to “kill” Hari. Significant? Maybe?

Hologram Hari appears in the Vault, No, not that one.

Anacreonian ships are appearing. And that thing seems more or less like an ordinary telescope. How does it work?

“Grow up Lewis!” Lol. Like in the books, he has more faith in the Empire than is warranted.

Jon’s observation: Salvor wants to know how much violence the colony can muster. In the book, Salvor is famous for “Violence is the last refuge of the incompetent.”

Jacunta pulls out the prime radiant and shows it to Salvor. Like maybe she can understand it with absolutely no training. MATH ISN’T MAGIC! And having an individual as part of the plan undermines the idea of psychohistory or convinces me that this character they want to present as smart isn’t.

For a person who’s supposed to be famously quotable, “Different is not the same as special” is a bit of a sophomore slump.

“The Empire feared Hari because he could forecast the future. But in reality, all he was doing was examining the past.” No.

There’s that kid with the knife again. How is he connected to Maybel?

Also, “Vulcan” is better than “Vulcanian” but I prefer “Anacreonian” to “Anacreon.”

“The ghosts of the dead… surround us. And they are hungry for what’s ours.”

Rating: 3.5 out of 5.

All Images from Foundation on Apple TV+

Watching Foundation: The Premiere

Spoiler warning, obviously.

If you followed my “Watching Loki” posts, you know what this is. Comments, thoughts and predictions as I watch the episode or maybe as I watch it again. Stuff I think is interesting. Not a review or even an essay, although I’ll give my immediate impression at the end. I’m doing these this time as I’m preparing for the Stars End Podcast but they won’t appear here until a couple of days after the newest episode is dropped. So, without further ado, here are the first two episodes.

S1E1 The Emperor’s Peace

Visually stunning. The opening reminded Joanne of the time travel scenes in ST4 but with much better graphics.

Partway through the figures, look as if they are made of sand and are eroding. That’s a nice visual indication of what is to come.

Wow, this looks good. But Star’s End isn’t at the edge of the Galaxy. Also, it doesn’t have an apostrophe.

Now, this looks like Star Wars with the land speeder.

There’s a creature called a Bishop’s Claw. As the kids approach “the Vault” I realize this is Terminus and we’re in for some non-linear storytelling.

Hmmm. “Kier.” “Gia.” “Poly.”

So, we meet Salvor Hardin before any other main character. Poly calls her “Warden.” I don’t know what that means. But the vibe here is strangely religious for Terminus and the Vault is altogether too mystical.

That is one impressive library.

“We have to remember the past and the ones who caused it all… A mathematician. A martyr. A murderer. And the most important player of all, Hari Seldon.”

There’s a sweet moment between Hari and Raych. Odd maybe, given what’s coming.

86,960,947 is prime.

86,960,957 is prime.

86,960,971 is prime.

86,960,987 is prime.

Gaal has to leave Synnax. “On Trantor, I’ll be safe.” More religion.

On the jump ship. Gaal meets Jerril who seems helpful. He mentions prayer stones.

There are odd scarred humans(?) attending to the passengers.

We see Gaal’s obvious genius when she talks about the grab generators. “I won a math contest.”

Interesting visual for preparing for the jump and the jump itself. Gaal wakes up in the middle. That’s not supposed to happen according to Jerril. Only spacers can endure that without being driven insane.

The space elevator is impressive and nicely takes the place of Gaal’s trip to the tower and hanging to see Trantor from Space. But here she seems more of a refugee than a tourist.

The projection of Brother Day has the same sand-like texture from the opening. That links the Empire to the erosion we saw earlier.

Caskets. From a “kerfuffle” between Anacreon and Thespis.

14 hours to descend and Gaal sees Trantor from space. Exposition 20:38.

We see the mural and Brother Day who is called Empire. That’s a nice device personifying the Empire so directly. Asimov did that especially well in the Mule story with both the Empire and Foundation.

And we see the empire as evil assholes quite dramatically. They’re paranoid of “Raven” Seldon and are harsh sensors. No ambiguity here. No shades of gray.

Brother Dawn learns a hunting song but it’s actually about “a boy’s first time with a woman.”

Day is again shown to execute people for tiny transgressions.

We see Demerzel. Nice visual Day, Dawn, and Dusk taking a bite in unison.

Gaal wants to see the Seer church on Trantor.

86,963,537 is prime.

86,963,549 is prime.

86,963,563 is prime.

86,963,567 is prime.

86,963,573 is prime.

It’s not praying. When Gaal’s nervous she “counts primes.”

Gaal meets Hari. The mathematics starts to bother me here. “Kalle’s Ninth Proof of folding.” Gaal solved Abraxas evidently how she won her “math contest.” That has religious overtones (see below). And no one thought to use the ninth proof in five hundred years.

Kalle writes poetically so “serious scholars don’t read her.” But “reading between the lines” she’s talking about “rings of integers in non-Archimedean local fields.” I think that kind of hangs together based on a quick Google search but it’s far from something that normal folks could glean by “reading between the lines.”

There are shades here of Hardy and Ramanujan. The show has given us two unspeakably brilliant mathematicians and it’s important that one of them is a young lady of color. And they certainly sound like mathematicians here… “there’s a non-zero chance… but it’s not a number worth discussing.”

We get a quick definition of Psychohistory true to the books. Might be word for word. But we lose the sense that mathematics is hard work.

The prime radiant is cool, but it reinforces the “math is magic” theme.

“You know math is never just numbers. In the wrong hands, it’s a weapon in the right hands, deliverance.” “Stealing is a mercy.”

The Ancreonians give Day a weapon while the Thepians give a book of ablution honoring the peace. Exposition on the disagreement.

Subtle messages in the gifts. 36:47. Day and Dusk are training Brother Dawn.

Gaal goes to the Seer church. “The heretic and I will talk.” The religion on Synnax is extreme and all-consuming. The floor is covered with water.

Gaal in water. A dream or a memory of the removal of her prayer stones. Also is it foreshadowing of the end of episode 2? The water is clearly a symbol of the Synnax religion. Gaal’s face turns out of the water as she has the prayer stones removed.

Those hoods they put on prisoners are brutal.

Courtroom scene. And Sig!

It “can only be proved to another mathematician conversant in ordinal analysis.”

Damn Harris is great! And intense!

This loses a lot of the mathematics from the book. And Seldon “thanks the gods.”

Jerril tries to bribe Gaal and gives her the Prime Radiant. The Empire threatens to kill her. There’s water surrounding them as he tempts her to disavow the mathematics.

Spectacular shot.

She was awake on the jump ship. She’s special.

The prime radiant again reinforces the idea that mathematics is magic.

Back to the trial. Encyclopedia Galactica. Saving our story.

It’s a nice moment when Gaal gets to speak truth to power.

It bothers me that one of the terrorists looks middle eastern. The other one doesn’t but still.

The orbital tower is falling snapped off the top. On earth, the geosynchronous orbit is 22,300 miles. Stretched out that’s most of the way around the planet. (C = 24,900 miles).

Nice attention to detail; the fake sky is pixelated as the tower smashes through it.

I really think they understated the amount of damage this devastation would cause. Compare it to the size of the asteroid that killed the dinosaurs. This should be an extinction-level event.

“The tether wrapped around the planet like a Garrote.” Yup.

86,963,777 is prime.

86,963,791 is prime.

100 million deaths. Has Raych lost faith?

Lee Pace has a surprising amount of gravitas. More than as Ronan which was overdone. It’s a lot subtler here. I would not have expected this watching Please Don’t Eat The Daisies.

Gaal bluffs Day. If you kill him the fall accelerates.

Seldon: “I see the value in difference, in the new.”

There’s something called a slow ship. A fundamental difference from the world in the stories.

“You lied.” “I hypothesized.” that’s pure Wrath of Khan stuff right there.

The seas on Synnax were rising. So Gaal Dorrnik here is a cross between Greta Thunberg and Srinivasa Ramanujan; a mathematical prodigy who wants to save her planet from destruction. The water doesn’t merely represent her home planet’s religion; there’s a lot of levels here. On Synnax the rising water signals , one presumes, the growing threat of global warming AND the rampant anti-intellectualism that’s hastening the crisis.

Episode:

Rating: 4.5 out of 5.

S1E02: “Preparing to Live”

On a dwarf planet: a brutal take down of a biohacking facility. And some torture to extract information.

Day (wanting to blame the Foundation): “Say they did it every hour on the hour until it becomes the air that we breathe.” These guys are the Bush administration.

800 odd days? Or 54 months?

Gail and Raych are like crazed weasels.

Then we have the Kobayashi Maru in a simulated cave. We get to see a bishop’s claw looks like first hand.

There were robot wars.

These assholes really are the Bush administration. More brutality. There is circumstantial evidence against the Anacreonian and Thepians. But that about it.

Brother Dusk is declining.

Gaal deposits an embryo, then talks to an engineer who refuses.

Dusk visits the Synnax priest. Wants to know if Gaal is a seer who can predict the future. Demerzel is injured on the way out. So not slow playing the Robot thing.

“The most advanced Math is like a sixth sense.” No, not necessarily.

Seldon seems to be using Tony Stark’s computer system.

Lots of aphorisms “Shame grows in darkness.”

Seldon never thought he’d be on the ship and he’s uncomfortable with the growing familiarity amongst the colonists.

Gaal says the mathematics is not complete. Rayce is upset.

Encyclopedia Meeting. Gaal is asking questions. This base 10 thing is a bunch of nonsense. It’s not the same thing as a different language. I get the point that they’re trying to make but damn it, that’s different. The writers must have scanned “The Crest of the Peacock” and didn’t understand it.

They’re shoehorning in as much math as they can. They either need to get a better consultant or to listen to the good consultant they already have.

Demerzel repairs herself. We see she’s a robot.

Demerzel: “The rest of my kind didn’t die. They were destroyed by your kind.”

Dusk criticizes Cleon I (who has been stuffed) for arrogance. Not sure what the point of Taxidermy Cleon is, it’s odd.

“The Empire going to kill you,” says Dusk to the Anacreonian and Thepian ambassadors. But there’s plenty of reason to think Seldon is behind the Terrorist Attack

The Laundry. Yawn. Hari gets to make a speech.

“A theorem so abstract it might as well have been a prayer.” Damn it. Mathematics isn’t magic.

This handshaking thing is kind of trite.

Raych is out of sorts. Hari is trying to be gregarious and showing Raych to be a thief angers him.

Raych cries talking to Gaal in the holodeck.

Who’s really behind the star bridge? They don’t know. “The best face we can project outward now is one of strength.”

More brutality. Really over the top and disturbing and directed at people who aren’t responsible. These guys really are the Bush Administration.

Still, the little kid shows some humanity. Unfortunately, Demerzel tells him he’ll grow out of it.

A composite number means what? Raych “kills” Hari and takes something from behind Hari’s ear. Gaal is left in space counting primes (in water yet again) and the episode ends? What the hell?

———-

Some thoughts from after we recorded the podcast. I think most people felt confused after this episode. In retrospect, I’m liking this episode more because it’s been so much fun to ponder what was going on in a Total Recall kind of way.

So, here’s a narrative that I think makes sense.

The key moment is when Gaal realizes that the math is incomplete. But here’s the thing: the math didn’t “have holes in it” because Hari didn’t finish. It was incomplete because he and Gaal are in the colony. We know from the books that predictions about the Foundation won’t work correctly if there are Psychohistorians on Terminus. They have to go.

So Hari realizes that he has to be murdered (or fake his death… something). He makes plans with Raych to do it. Then his personality shift, the wandering around the ship, reminiscing about his “son,” missing his favorite shirt, and awkwardly saying goodbye to people including the laundry workers all make sense as the actions of a condemned man or a man who’s planning suicide.

Raych’s behavior now makes sense too. Gaal gets the wet pneumatic tube treatment but she’ll still be gone. It explains his weepiness on the Holodeck during the sunset; he knows they’re not going to have those kids together. This also explains why Raych is suddenly so peevish with Hari.

The psychohistorians are now gone and the Foundation can develop as intended. This may not be right but it holds together, explains all the stuff that feels weird, and is consistent with the books. Where do we see Gaal again? I bet she’ll be central to founding the Second Foundation. Maybe Hari too. Eventually we’ll learn that this was the ultimate plan all along.

Rating: 3.5 out of 5.

Some Stuff From Wikipedia:

Abraxas (Biblical Greek: ἀβραξάς, romanized: abraxas, variant form ἀβρασάξ romanized: Abrasax) is a word of mystic meaning in the system of the Gnostic Basilides, being there applied to the “Great Archon” (megas archōn), the princeps of the 365 spheres (ouranoi).[1] The word is found in Gnostic texts such as the Holy Book of the Great Invisible Spirit, and also appears in the Greek Magical Papyri. It was engraved on certain antique gemstones, called on that account Abraxas stones, which were used as amulets or charms.[2] As the initial spelling on stones was Abrasax (Αβρασαξ), the spelling of Abraxas seen today probably originates in the confusion made between the Greek letters sigma (Σ) and xi (Ξ) in the Latin transliteration.

Gnosticism (from Ancient Greek: γνωστικός, romanized: gnōstikós, Koine Greek: [ɣnostiˈkos], ‘having knowledge’) is a collection of religious ideas and systems which originated in the late 1st century AD among Jewish and early Christian sects.[1] These various groups emphasized personal spiritual knowledge (gnosis) above the orthodox teachings, traditions, and authority of traditional religious institutions. Viewing material existence as flawed or evil, Gnostic cosmogony generally presents a distinction between a supreme, hidden God and a malevolent lesser divinity (sometimes associated with the Yahweh of the Old Testament)[2] who is responsible for creating the material universe.[3] Gnostics considered the principal element of salvation to be direct knowledge of the supreme divinity in the form of mystical or esoteric insight. Many Gnostic texts deal not in concepts of sin and repentance, but with illusion and enlightenment.[3]

Anacreon (/əˈnækriən/; Greek: Ἀνακρέων ὁ Τήϊος; c. 582 – c. 485 BC)[1] was a Greeklyric poet, notable for his drinking songs and erotic poems. Later Greeks included him in the canonical list of Nine Lyric Poets. Anacreon wrote all of his poetry in the ancient Ionicdialect. Like all early lyric poetry, it was composed to be sung or recited to the accompaniment of music, usually the lyre. Anacreon’s poetry touched on universal themes of love, infatuation, disappointment, revelry, parties, festivals and the observations of everyday people and life.

All Images from Foundation on Apple TV+

Foundational Readings: The Mule

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If you’re keeping up with the Stars End Podcast, Episode 8 has been out for about a week and Episode 9’s release is imminent. In these two episodes, we discuss the entirety of “The Mule” as we know it from Foundation and Empire. If you’re reading along, of course, it’s pretty easy to find a copy of the book including on Archive.org.

If you want to read this story as it first appeared in Astounding Science Fiction, it appears in the November and December issues from 1945. Not-at-all coincidentally it’s broken up just as we did it on the podcast. The first installment covers the Foundation and Trader Worlds first learning about the Mule and then considering how to respond. It corresponds to Chapters 11 (Bride and Groom) through 18 (The Fall of the Foundation) and ends, as you might guess from the title, with quite a dramatic moment. The December installment covers the remainder of the story and completes the tale with a search for the Second Foundation. Asimov’s writing had gotten better here as evidenced by two nice touches; Mayor Indbur III on Terminus and Emperor Dagobert IX on Neotrantor are excellent personifications of their respective dominions.

As we’ve been seeing, Asimov changes very little from Astounding to the novels. As was the case with “The General” The obligatory Encyclopedia Galactica entry that serves as a prologue is absent, replaced in the first part, by this teaser, probably written by John W. Campbell.

First of two parts of Asimov’s first serial of the Foundation — and of the one factor that even Hari Sheldon could not predict — could not defend the Foundation against. The defenses were based on human psychology; The Mule was a mutant!

Unlike the for “the General,” unfortunately, the layouts have largely reverted to being rectangles and a lot of the images are tiny. We can hope they do a bit better in part two.

Once again there are some nice illustrations in both parts by Paul Orban. Unfortunately the scans of these issues aren’t as clean as the previous installments have been so the image quality is uneven.

You can find the entire issue here: Astounding Science Fiction, November 1945 while the interior artwork can be found below.

Part 2 starts off with this teaser.

Second of two parts. Across the ruined, dying Galactic Empire , fleeing from a conquered Foundation, three frightened people and the hunted jester of the new conqueror, the Mule, sought the Second Foundation — the only hope, but it must be warned

That’s followed by a summary of part 1, which you can find here: Astounding Science Fiction, December 1945 if you’d like to read it. Paul Orban’s illustrations are below. They’re larger and more textured than the illustrations from part 1.

You can find every episode of our podcast here:

Foundational Readings

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If you’re following our podcast Episode 6 dropped on Wednesday and in it, we discuss “The General” from Foundation and Empire. If you’re reading along you can find the book in all sorts of places. I’m sure that Apple and/or the publishing company have made sure that it’s available in all sorts of places and there is of course your public library or Archive.org.

The Empire was the theoretical obstacle to the growth of the Foundation in the first book. In “The General” we meet Bel Riose a general loyal to the Empire who will be the first to oppose the Foundation directly. What will this mean for Seldon’s Plan? You’ll have to read it and then listen to our podcast to find out.

And if you’re looking for a more nostalgic or, dare we say interestingly atavistic (to borrow Emperor Cleon’s description of Bel Riose) way to read “the General” we can again turn to Archive.org.

This story appeared for the first time under the title “Dead Hand” in the April 1945 issue of John W. Campbell’s Astounding Science Fiction. The cover proclaims “A Foundation Story by Isaac Asimov!” Evidently, the series has developed a following as well as the Author.

The story as it appears it’s very similar to the book’s version. Mostly the text is word-for-word the same, but there are some differences. The Encyclopedia Galactica entry, seemingly obligatory in the books is absent. In its place, we get this preview.

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The Foundation had always been weak — but heretofore the sharp wits of it’s leaders had protected it. But this time — Foundation’s leaders were stupid men , and a clever general, under a strong Emperor teas attacking.

As well as this abbreviated prologue.

Four centuries of internal wrenchings subsided into another faint interval of quiet and order, that was half-exhausting, and for twenty-five years under Cleon II the Galactic Empire experienced the milky feeble gleam of a last Indian Summer.

The other big difference is the internal artwork, four nice images by Paul Orban who seems to be settling in as the Foundation series illustrator.

The presentations of the image have evolved here. The opening drawing depicts the most exciting moment in the story rather than something that happens towards the beginning. In previous installments, the illustrations are square or nearly so. Here the second and third images are “L” shaped; strategically placing some white space allows for larger images without sacrificing space for the story. The final image is tall and narrow, taking up an entire column on one page. It seems that Campbell is allowing Orban more freedom to change up his layouts to good effect.

You can find the entire issue here: Astounding Science Fiction, April 1945 while the interior artwork can be found below.

References:

If you haven’t already, this is a perfect time to check out our podcast.

Stars End Episode 6

Orginally published at <StarsEndPodcast.Wordpress.com>.

Episode 6: “A Podcast is a Good Weapon but It Can Point Both Ways” is now available! This week, Dan starts his tenure as quiz master, Joseph learns what wasn’t covered in his Shakespeare class (way back in 1988) and as always Jon tries to keep us all on track.

We also have breaking news! So breaking that we had to add an addendum in post production! That means Monday.

And of course, we start discussing “The General,” the first section of Foundation and Empire. This one is almost like Asimov himself was replying to our discussions of the “Great Man” theory of history vs. the “Bottom Up Theory.” Join us!

Visit our site for the Stars End Podcast!

Foundational Readings

The internet has since its inception been a remarkable tool for gathering and sharing information. Lately it’s been both better and worse than it used to be and one of the reasons that it’s both is Archive.org.

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It’s a literal treasure trove of information. Think of it as an internet library. If you’re looking for something, especially something out of print, there’s a good chance that it’s there, scanned and ready to be checked out. Archive.org was especially gracious during the lockdown. In May 2020, when I taught Science Fiction, all the novels we covered as well as most of the short stories were available there for my students to use free of charge. It was a huge help.

So, why better and worse? Well, having access to “a literal treasure trove of information” has a bit of a downside. When I’m researching something like, for example, Asimov Trivia there are things to find that I’ve never even heard of and didn’t know I needed. Sometimes this is helpful, like when I discovered Isaac Asimov Presents: SuperQuiz (See Episode 5). Other times it’s not; I take a long and winding road that doesn’t lead anywhere. Next thing I know I’m 6 books over and barely even aware of where I started or what I was doing. That’s fun, but it’s not productive unless serendipity lends a hand. No kidding. Paragraph two got put on hold while I looked up something random.

Suffice it to say that Archive.org is, well, astounding. But “What does this have to do with Foundation?” you might be wondering. If you’re following Stars End: A Foundation Podcast or even if you’re merely looking forward to the forthcoming Apple TV+ series you might be wanting to reread the books. They’re all there for sure.

But what I’m really excited about is that Archive.org has many issues of John W. Campbell’s Astounding Science Fiction. That’s the seminal SF pulp that defined the genre. There we find the original Foundation stories 8 years before they were collected into book form. This is the DNA of the Foundation series. As the story was developing, while Asimov was figuring out how psychohistory works, we can see this universe evolve in Astounding. And as an added bonus, we can read the stories with their original artwork, enjoying them as few have been able for almost eight decades. So here are the pieces of Foundation as they appeared in Astounding Science Fiction. Not too different. With his prodigious output, Asimov was known for writing rather than rewriting but I’ll note the changes that I noticed.

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Foundation isn’t actually a novel, it’s what is known as a “fix-up,” a collection of short stories linked together with a framing sequence. “The Psychohistorians” is that framing sequence and is the only part of Foundation that was original to the book. It introduces Hari Seldon and sets up the universe replacing a much shorter introduction that ran as part of the next story.

The Encyclopedists” originally ran in the May 1942 issue of Astounding under the title “Foundation.” Other than the short introduction that was supplanted by “The Psychohistorians” it’s largely the same as the version from the book.

There are two lovely illustrations by Manuel Islp and the issue also features “Asylum” by A. E. Van Vogt and “Beyond this Horizon” by Robert Heinlein writing as Anson MacDonald.

Here’s the entire issue Astounding Science Fiction, May 1942.

The story continues just a month later as “The Mayors” was published under the title “Bridle and Saddle.”

John W. Campbell showed a lot of enthusiasm for this story. Taking up half of the previous issue’s coming attractions, it was the lead story for the month, it was featured on the cover and was graced with 4 (Count ’em! 4!) lovely illustrations by Charles Schneeman. You can click on any image in the gallery for a better look.

For a science fiction adventure story the art work sure shows a lot of people sitting in chairs.

The issue also includes “My Name is Legion” by Lester Del Rey, “Proof” by Hal Clement and “The Slaver” by L. Ron Hubbard who actually wrote some Science Fiction before branching out into… let’s call it other areas.

Astounding Science Fiction, June 1942.


The Traders,” the shortest section of Foundation was published as “The Wedge” in Astounding’s October 1944 issue with little or no fanfare. This story has the most significant difference between the magazine and book versions. Here the main character is named Lathan Devers rather than Limmar Ponyets as it is in Foundation. The story has three illustrations by Frank Kramer.

Astounding Science Fiction, October 1944

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“The Big and the Little” appeared in the August 1944 Issue of Astounding and once again it’s very similar to “The Merchant Princes.” There’s a difference that’s noticeable immediately though, rather than opening with a quote from the Encyclopedia Galactica, it begins with a different quote that prefigures the names of the sections of Foundation.

“Three Dynasties molded the Beginning: the Encyclopedists, the Mayors, and the Traders…”

Ligurn Vier, ‘Essays on History’

We never really see the traders as a formal dynasty leading the Foundation but perhaps we can infer one; in this story, we meet the third major figure in Foundation History after Hari Seldon and Salvor Hardin the first of the Merchant Princes, Hober Mallow.

Like “Bridal and Saddle,” “The Big and the Little” is both the lead and cover story for this issue. It is illustrated with six pictures rendered by Paul Orban.

Astounding Science Fiction, August 1944

We’ll be back soon with the stories from Foundation and Empire. Meanwhile, I’m inspired to work on a project that uses Archive.org.

References:

If you haven’t already, this is a perfect time to check out our podcast.

Stars End Episodes 3 and 4

There have been two new episodes since I shared Stars End episode 2 here. Is a podcast the last refuge of the Incompetent like the title to Episode 4 claims! Find out! Time to get caught up! Please like, review and share!

Episode 3: As foretold! Mayors! Bridles! Saddles! Oddly, no actual horses! And the ultimate answer to the ultimate cliffhanger! Also show news, we react to the trailer for the Apple TV+ series and and more Asimov trivia!

Episode 4: We talk about “The Traders,” part four of Foundation. This story first appeared, with surprisingly little fanfare in the October 1944 issue of Astounding under the title “The Wedge.”

In addition we have our second Apple Plus Minute and another edition of Asimov Trivia with a new contestant and a new quiz master!

You can find all the episodes here:

Episode 2

The second episode of Stars End: A Foundation Podcast, which I do with Dan and Jon is now available. Please check it out!

Stars End: A Foundation Podcast

Our second episode, entitled “Podcast must obey the orders given it by human beings except where such orders would conflict with the First Episode” is posted, available wherever fine podcasts blossom or will be when Anchor gets around to up loading it for us. Of course, we are now begging the question… what will the fourth episode be called?

We start discussing the first novel, Foundation, in earnest and get all the way through the first two stories, “The Psychohistorians,” and “The Encyclopedists.” We also try our hand at doing a new segment, “Asimov Trivia.” You can join us on the link below.

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