Watching Foundation: “The Leap”

I’ll get back to S1E09 when time permits; but in the meantime, S2E01 has dropped a bit early! What are ya doin’ here? You can come back to this!

Watching Foundation: S1E10

There’s Hari’s coffin floating through space as Gaal muses about sleep. It’s transmogrifying into the Vault.

Back on Terminus.

This is very Asimovian. Everybody is standing around while Hari exposition-dumps.

Hari: “History is written by the victor, and neither of you seems to be winning.”

The enmity? Thespin King murders Anacreon Huntress. But really it’s Cleon II with a plan that could span centuries.

Hari on the Invictus. He gave the problem of the Invictus to his model. That’s thin. It’s probably running a pseudo-random number generator. But how could you back-engineer the seed without ever encountering the ship?

“Well, I might have lied about that.” Funny.

Trantor:

12 and 13 ponder 14’s fate. 13 and 14 discuss 14’s situation.

14: “…living out a script written centuries ago.” There’s determinism. “We’re not people. We’re echos.”

Terminus. Hari: “ The Foundation was never about curating knowledge, it was about curating people.“

3 parts of a tripod.

“The human race is an ever-evolving story told over thousands of years by countless number of voices. But for a long time now that chorus has been suffocated and quietly erased. Because under the Genetic Dynasty, There is only room for one story. One voice.”

He implies that Cleons will lead to extinction. “We cannot become who we must become if the Empire is allowed to persist. That path leads to the annihilation of the human race.”

The three civilizations in a single-star system? I’m still dubious.

12:53 When Kier touched Hari, that looks more like an imperial shield than a hologram.

“It wouldn’t have been wise for me to have been sentient all this time.” Foreshadowing Azura’s fate.

16:04 and we’re basically done with the first crisis.

Trantor.

13 takes Azura for a walk.

“I know people hate me, consider me evil. But it is my detachment, My Indifference to suffering that allows me to rule effectively. The galaxy is so vast, the problems so large, that I must turn a blind eye to the individual.”

Interesting to see 13 musing about his ambitions as a child, which we saw in episode 1, and then discussing how they’ve evolved.

Legacy. Azura’s punishment. So dark! The last shot of her is tiny and shrinking as 13 walks away.

Terminus.

Mari is pissed at Hari. Salvor believed she was special but her lack of connection to the Vault belies that.

Salvor and Rowan discuss Phara and plant a tallyn oak in her honor.

We get a time-lapse of the tree growing. “In the months that followed, the children of the outer reach took Hari’s words to heart, setting aside hatred in favor of strength. It takes more power to build than to burn and Hari wanted them to build.”

Hugo and Salvor don’t have a lot of chemistry. But Salvor has more visions. And she sees a young Gaal. She goes up to the vault and disappoints us with nothing but a rhetorical question.

Chekov’s embryo rears its now-self-evident head. Salvor and Mari talk and we learn about Salvor’s genetic background. Salvor won’t be Mayor, she’s going on a Gaal hunt. This bit’s kind of slow and draggy.

A lot of this could have been at the start of season 2. Joanne says that this entire episode feels like the closing scenes of a movie. That gives me flashbacks to Return of the King which was painfully tedious at the end.

Back to Trantor. Before the episode, I was thinking about the plot in episode 9 and how dumb it was. What would have made it make sense? As we pointed out on the podcast maybe it was meant to fail. Why do that? If the frozen replacement Dawn has also been genetically altered but in a way less obvious and more sinister than the changes made to 14.

I wondered if Dawn was going to leap to his death here.

“All love is programming.”

Demerzel has her hand on 14s back here exactly like she did with 11 right before he was vaporized.

13 looks like he’s on the verge of letting 14 live. 12 remains a huge asshole.

And then goddamn it! Total shock! But in retrospect, I should have seen it coming.

“I am loyal, Empire to the Cleonic dynasty above all else,” says Demerzel

I wonder if the newly decanted Dawn will remember having his neck snapped.

I’m assuming that the shifting paints are figurative.

13 carrying 14 to the disintegration chamber is reminiscent of Demerzel bringing 11 back to bed the night before he was vaporized.

12 really seems torn up by this.

Olbrecht tells us that the plans undermining the Dynasty were more extensive than thought. The source material has been altered. That silly plan was the insurgents signing their work. I like that!

Still, the Dynasty isn’t any worse off than any inherited dynasty. Are they?

See? Disturbing.

Disturbing scene with Demerzel. I wondered if she was going to shut herself down with these tools we see. Nope. Instead, well, you should see that for yourself. This is clearly what a positronic crisis looks like. There’s some sort of conflict there. Maybe it’s a conflict with the programming to be loyal to the Cleons. Even if there was no order given, Demerzel must have known she was going against 12’s wishes. Maybe the three laws were overwritten by the dynastic programming but remnants are still there.

Synnax.

Gaal’s back.

That seatbelt isn’t going to be enough to survive reentry.

Just a rowboat in the middle of an ocean seems stupid. Looks like Synnax has been abandoned. But there’s a red light underwater. Now it’s like Gaal is chasing a laser pointer. My cat does that.

Not sure if this bit is annoyingly slow or if it wouldn’t work if they didn’t show us everything.

But we end with Salvor meeting Gaal 138 years in the future. Salvor’s been in stasis for “more than 100 years.” I wonder if there’s more to her story in the “present day.”

Lots of nice stuff in this episode, but the pacing is off. The bookkeeping and laying the groundwork for Season 2 is slow going.

Rating: 3.5 out of 5.

Rating: 3.5 out of 5.

All Images from Foundation on Apple TV+.

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Watching Foundation: “The Missing Piece”

Quick note: We’re skipping S1E09 for now; it’s the only episode I don’t have notes for from its original airing. S1E10 tonight before midnight, when the first episode of season 2 drops.

Watching Foundation – S1E08

Spoiler Alert, as always just in case you haven’t seen the episode yet!

So, here we go! Joseph’s random thoughts about S1E08. Simultaneously published at StarsEndPodcast.com.

Anacreon looks like the Genesis Planet. We see Phara as a child and her trauma during the Empire’s retaliation. I didn’t need to see that. Assholes. This is one of those things that is better left to the imagination.

Phara: “It blinked into orbit like a prayer. …the gods did not just approve of my plan to destroy the empire they engineered it.” “You simply have no concept of revenge, do you? I don’t care about mankind. This ship is going to be my voice.”

Hari and Gaal. Investigating “Feeling the future.” Gaal talks about her dream of a wave destroying her world. It drove her to learn math. Hari; “(math) proved that it wasn’t a dream at all it was a premonition.“

Gaal has an “Intuitive processing ability that puts you ahead of the math.” Hari wants to keep Gaal in the Dark. “This prescience of yours has the potential to skew psychohistory completely.” So the math can’t tolerate other predictions? This seems like magic trumping science. And mathematics in this show has already been too magical.

Hari says that the Foundation needs a second Foundation. On Helicon. And he calls Helicon “Star’s End” according to the closed captioning. That Apostrophe annoys me.

Where’s Hugo? He’s narcing on the Anacreonians to the Thespins. This is anticlimactic. This guy is no Han Solo; I expected something more dynamic.

But the mood of futility here isn’t bad. Standing in the desolation, crying out into the darkness, “Does anybody read me?”

We see C13 walking the spiral. A Trek of over 170 km with no food no water no rest. No nanobots or toys. A quick calculation, that’s over 100 miles. That’s not survivable. Did they flub the arithmetic again?

At the end of the Spiral, there’s a cave called the Womb that has water. If the Mother is willing the pilgrim will see a deeply personal vision.

C13 breaking Demerzel’s salt bracelet is a dick move. He wants to keep her with him but she looks stricken.

The crowd thins out quickly. Too quickly, since they implied about half made it to the end of the spiral. We meet a charming companion for C13. It would be nice if 13 could learn some compassion here. He gets some information about what others have seen.

C13 lies and says he’s from Baltaros. The gentleman is from “the manufacturing planet.” Badly polluted by making things for the Empire.

Back to Hari and Gaal. The Foundation was designed to draw fire. The Second Foundation must be kept secret.

Gaal: “If you’re not willing to trust me, then I am not going to Helicon.” Gaal is going to take her brain and go home. What starts off as a strong confrontation with Hari degenerates into a tantrum.

Now C13 is doing a Jesus imitation. And he falls to one knee. The wavy images of burned feet are a bit much. The pilgrim helps him up.

Back to the Invictus. Salvor’s finally trying something other than violence. Trying to peel off some of Phara’s men. She argues the plan will lead to the extinction of the Anacreonians. “Phara sees herself as a hand reaching out of Anacreon’s grave. But Anacreon children are still being born today.”

Phara does the Hawkeye thing with aplomb. Pretty good. “You do luck, I do skill.”

These computer components remind me of 2001 and TNG.

Salvor tries violence again. Gets herself and Lewis onto the bridge with no Anacreonians. Someone else got killed. Is this progress?

The individual work pods look cool but seem like form over function. Lots of circles on this ship. Significance?

They find the navigation pod. “Folding space is as much intuition as it is science. It’s like making a wish.” More magic over science. This seems especially anti-Asimovian.

This is a pattern. Gaal has an intuition that obviates mathematics. Humans can guide jump ships with wishes, “A cognitive leap that only a human brain can perform.” This is displacing science in favor of mysticism in a way that’s very non-Asimovian.

Salvor’s going to sacrifice herself to guide the ship to Terminus. And she gets snarky. “It might as well be the outlier.“

Terminus. The null field is expanding.

The Spiral. The old man gives up. C13 looks stricken. Grieves that the pilgrim will no longer be with him. Does he show some compassion for the pilgrim here? Maybe.

Alas, dear Yorick, I will smash your skull.

Here’s some more of the Shakespeare quote. “Alas, poor Yorick! I knew him, Horatio: a fellow of infinite jest, of most excellent fancy: he hath borne me on his back a thousand times; and now, how abhorred in my imagination it is! My gorge rims at it. Here hung those lips that I have kissed I know not how oft. Where be your gibes now? Your gambols? Your songs? Your flashes of merriment, that were wont to set the table on a roar?”

Reflecting on the demise of the Pilgrim maybe? Also, are skulls really that fragile?

But 13 makes it to the cave. He’s pretty messed up. And alone. “Fewer than half make it?” That must be the tourism bureau. People certainly wouldn’t sign up for the real rate of attrition.

Maniacal supervillain laughter as 13 enters the cave.

To the tribunal, C13 repeats the story the pilgrim gave him about the swirling salt. He claims to have seen a “birthroot flower.” A signal to the luminists that the world could sustain life. And a metaphor for three lives created out of one.

“Just like my brothers and I!” “This is a holy vision.” The tribunal decides his soul is not mired in stagnation. “…from this day forward no other Zephyr will stand in your way.“

This is pitch-perfect political manipulation on C13’s part. It stands in stark contrast to his largely inept and tone-deaf early attempts. That makes this hard to believe. Or maybe it’s his ineptitude that forces his lies. There’s certainly a history of political leaders getting ahead on lies and nothing else!

Gaal resorts to hysteria and violence. Again. Gaal threatens suicide to get off the ship. At least we’ll get to see Synnax in 138 years. It will be wet.

Back to the Luminists. C13 is strutting oddly. “Zephyr Halima, thank you for inspiring me to take this journey of transformation.“ Twisting the knife.” Asshole.

Demerzel visits Zephyr Halima, she is visibly upset as she does it. Demerzel claims that she did not coach 13’s performance. Halima comes across as wise now.

Halima: “I’m not going to leave this room alive, am I?” Demerzel: “I must not be in possession of a soul, otherwise I might be able to disobey his commandments.” This was petty and cruel. And it implies a lot about Demerzel. She may not have the capacity to be the mastermind we were thinking she might be.

The Invictus. “Jumping into a planet’s orbit requires absolute precision.“Or luck. Remember who you’re dealing with.” Magic over science yet again.

What is moving the Invictus to Terminus supposed to accomplish? What’s the next step that will magically happen with Salvor presumably dead? “That’s all there is in a crisis, trying.” Once again an unimpressive aphorism from the formerly quotable Salvor Hardin.

The Anacreonians break into the bridge and shoot Lewis. Another casualty of Salvor’s attempts to save the day. She seems pretty slow to pick up this pattern.

Salvor’s gun misfires. So much for luck. Interesting.

And the Invictus jumps. It’s possible that showing Gaal awake during the jump in episode one was to tell us Salvor can survive this.

The spinning ship bothers me. It looked dumb when they did it on the Discovery and it looks dumb now.

Demerzel reports to C13. Killing Halima was unnecessary. “Your lack of understanding does not obligate me to explain, says C13. What an asshole. So much for developing compassion. From that little kid who might develop kindness, we end up with someone even more villainous than before.

Demerzel realizes that C13 saw that flower on her vanity. “Seeing nothing, I would not wish that emptiness on anyone.” Is the implication here that the Cs have no souls? It certainly positions them as an other in a way it would not have before. And it makes the allusion in the title a little too obvious.

The thought clearly festers. We see C13 feeling cold without vision. As if it wasn’t already obvious enough. I didn’t need to be told this twice but I get the writers wanting to show us this visual. I’ll excuse it for the emphasis. And we’re done.

I didn’t remember many of the things in this episode that annoyed me.

Rating: 4.5 out of 5.

All Images from Foundation on Apple TV+.

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Watching Foundation: “Mysteries and Martyrs”

Spoiler Alert: go watch Foundation S1E07 if you haven’t already. We have about two more days here to be ready for season 2!

Joseph’s random thoughts about Episode 7, simultaneously published at StarsEndPodcast.com. Let’s go!

Watching Foundation S1E07 Mysteries and Martyrs

The Anacreonians and their hostages approach the Invictus. Phara is harsh and unforgiving. And sick? Or just beat up?

Great. “The most powerful weapons platform the Empire had ever built.” “A world-killer.” So the Invictus is the Doomsday machine. Where’s Commodore Decker when you need him?

We get an explanation for why they needed Lord Dorwin. Good thing he didn’t die in that spectacular explosion!

Suiting up. And Lord Dorwin has a plan to send a message.

Floaty through space action. Hugo does a Frank Poole imitation. Unlike Frank, I think he’ll be back. But we get some cheap, momentary angst.

They’re going to jump to the Invictus because the outer defense systems can’t recognize anything as small as a human. That’s a plot-driven weakness. “If you miss the outer ring you’ll be lost.”

Above the Maiden. C13 sees Demerzel’s kneeling as betrayal even as she’s trying to cop a lame excuse. “Motherless atrocity that I am.”

C13 points out the obvious contradiction; Demerzel’s faith in Luminism contradicts her very nature.

He also thinks that Demerzel’s actions contradict her programming, which is supposed to be Loyalty to the Cleonic Dynasty.

Demerzel claims that she can’t act contrary to her programming. It’s odd that’s even a point of discussion but it’s also very Asimovian.

Halima is now the front-runner. C13 wants to know “what she actually wants from me.”

On the Surface, C13 and Demerzel approach a tent.

The Luminists are idiots. Sacrificing themselves on a ritual: “Walking the Spiral.” Demerzel claims she did this many years ago.

Negotiations begin. C13 thinks he can still barter his way out of the problem. That already didn’t work once. He’s not even negotiating in the right universe.

Halima wants the end of the Genetic Dynasty. Halima is playing a true believer here. I don’t think that’s sincere. “I don’t claim to see the future.” She turns nasty. “You are the reverberations of a dead man’s ego.“ and “The soulless creature cannot recognize itself.“

She’s haughty when she references Seldon’s “similar observation.” Then calculating and dismissive. Truth to power sure but also obnoxious and self-satisfied. She thinks she has the upper hand. For the moment, she’s right!

Back at the Invictus. Hugo ostentatiously floats away. There’s an obvious way he can get back, but I think the show wants us to believe he’s gone so he can save the day.

Salvor notices (senses?) something. a gun starts shooting. It looks like the gun is firing globs of molten metal. I don’t think that’s what the show intended, but either way, I’m thinking about the special effects and not the story. That’s a bad sign.

And Dorwin throws away his leverage by opening the door. Phara then executes him on the spot. Disconcertingly ruthless and brutal. “He served his purpose.”

Isn’t that dumb? Why wouldn’t the controls have similar safeguards to the door?

“The atmosphere is frozen.” Then what’s suspending the particles all making the light beams visible? They “restore atmosphere” and people take their helmets right off. If the atmosphere is frozen it must be near absolute zero.

The Invictus is randomly jumping. Salvor sounds smart when she puts the story together, but it doesn’t make a lot of sense.

The “much longer deaths” line is pretty good.

Above the Maiden again. Demerzel thinks Halima is reckless and threatening. C13 reminds us of Seldon’s prediction and refuses to play defense.

I don’t think “I will appeal to your gods” is an argument that will get you there. But Joanne points out Trump.

“I will walk the great spiral and let the Maiden, the Mother, and the Crone decide what’s true.”

We get more with C14 and Azura. Sexy time.

She gives him corrective contacts as a gift. Says he can’t wear them because they will attract attention. Like schtuping the gardener isn’t going to attract attention.

He shows her another copy of himself who will take his place if there’s ever an accident. If they know he’s different the other Cs will kill and replace him.

But the interesting thing here is the subtext that Azura is connected to some sort of underground.

You can lose yourself in the scar. “Come with me.”

But it’s a real relationship. C14 and Azura are open enough with each other that it’s dangerous. (Spoiler, I’m wrong here.)

“We are Trantor. Nothing outside the palace walls is relevant.”

On the Raven. That isn’t a hologram, it’s a “Quantum consciousness protocol.” So Hologram Hari is AI Hari.

But if Hari was recorded and placed in the knife, what’s the deal with the Walt Disney coffin?

Hari says “FIRST” Foundation. Gaal was supposed to lead the First Foundation.

The Invictus. Salvor wants to fight. Akiva doesn’t. “I’m the only expert…” is an odd way of praising that thought.

There’s a fight. Akiva is pretty competent at fighting for someone who’s “not a fighter.”

Salvor gets to live because they might need her. Like nanobots guy didn’t have the same potential.

39:57. Strong intense speech from Phara.

Not a bad plan, but it begs the question. Is there a succession plan? All the Cs live in the same place. All the spare Cs are in the same place. The genetic source of the Cs is at the same place. Demerzel who is the only person who might be able to hold things together is in the same place. We never see anyone with any kind of agency except for one ambassador. Chop off the head!

With Hari gone, the Raven is shutting down. But Hari comes back just in time to save Gaal. There’s a lot of convenient timing on this show.

“The Foundation needs more than a man to inspire it. It needs a myth that can endure for centuries.”

“It worked” because the mortality projections were somewhat inaccurate. What was sigma? It’s a ridiculous claim. And reminds me of reactions to Nate Silver and the 2016 election. He wasn’t “wrong.”

Teevee Hari is egregiously arrogant. And he had Lethe Syndrome, which is essentially Space Alzheimer’s. The cognitive decline would have prevented him from becoming the mythic figure the Foundation needed.

Hari was “engineering the narrative.” When he had Raych kill him, he couldn’t foresee Gaal coming to his cabin. That’s a rational limitation of psychohistory.

Hari wants to move toward the debris field. Gaal thinks that’s insane. And it is.

Gaal: “I think I can feel the future.”

That is one tough piece of plexiglass.

From Wikipedia:

In Greek mythology, Lethe (/ˈliːθiː/; Ancient Greek: Λήθη Lḗthē; Ancient Greek: [lɛ́:tʰɛː], Modern Greek: [ˈliθi]), also referred to as Lemosyne, was one of the five rivers of the underworld of Hades. Also known as the Ameles potamos (river of unmindfulness), the Lethe flowed around the cave of Hypnos and through the Underworld where all those who drank from it experienced complete forgetfulness. Lethe was also the name of the Greek spirit of forgetfulness and oblivion, with whom the river was often identified.

Rating: 3 out of 5.

All Images from Foundation on Apple TV+.

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Watching Foundation: “Death and the Maiden”

Finishing up the Season 1 rewatch. Look for episode 7 in about 12 hours.

Watching Foundation – S1E06

Spoiler Alert! Joseph’s random thoughts about Season 1 Episode 6, Simultaneously published at StarsendPodcast.com.

Spacers. Weird. They look like Gollum.

“I barely consider them human,” says 13.

“The human mind can’t tolerate the discontinuity” of space folding.

Maiden, mother, and crone. There’s an interesting parallel between the Cleons and the Goddesses of Lumenism. The central themes of Luminism: are cycles, Ouroboros, and nature seeking completion.

The Luminists believe that the goddesses were once a single entity. That’s very Catholic. As is the fact that they are a trinity.

Demerzel is a Luminist, which seems odd. She bypasses the “How is it that you believe” by answering why. How is the more interesting question.

“The search for meaning is not always about the answer.”

“At every point in our lives, we have the power to choose our own path.” A Three-Laws robot does not always have the power to choose.

The goddesses guide us towards service and truth “as though towards the center of a great spiral.”

So spiritual geometry. Luminists are circles and Cleons are lines.

Zephyr Halima gained fame by spearheading the recovery after an earthquake. She has been a Zephyr for less than a year.

13 is expecting clamoring masses. Halima meets him alone. And highlights what 13’s trip means about the importance of Luminism to the empire. She’s a skilled politician.

By offering 13 a drink, she gets him to symbolically reject the faith and the opportunity to surpass his impure intentions even if Demerzel is the one to voice it.

“I’m afraid whatever impurities I may harbor will have to remain hidden.” The rejection said out loud.

“Something tells me that’s how you prefer it.” And Halima spikes the ball.

“Triple blessings to you all.” The Catholicism references are pretty loud too. Of course, they are.

“I don’t think anyone with pure intentions would wheedle their way onto my welcoming committee.” So he gets it but he should have seen it coming.

Back to Terminus.

“Empire ships are as good at preserving their peoples’ lives as they are at taking others’.”

Lord Dorwin is still alive. Where’s everybody else? Dead.

The Anacreonians straight-up murdering people is gut-wrenching. They’re suddenly a lot less nuanced.

Talk of the Invictus and redemption from Phara. That eye is disconcerting.

Phara’s trying to crew a ship. The librarian is also skilled in Astronautics.

The jump ship was shot down to capture Dorwin.

More straight-up super villainy from Phara as she shoots Jacenta’s husband in the leg.

14 is wooing the gardener again. “A foolish attempt to control the uncontrollable.”

12 and 14 hunt for “Ghillie raptors” with powerful camouflage.

“I’d rather mold it myself.”

Invictus is a legendary powerful warship. Phara’s found it.

“Thank Seldon,”

Salvor has a plan. “This is the first Seldon crisis.” She’s convinced herself that she’s part of the plan. “Hari put me here to stop the Anacreons, and he’s helping me figure out how.”

Back to the Maiden. 13 is bitchy about being greeted by “a heretic.” He throws his weight behind Zephyr Gilat which is probably counterproductive.

Desalination plants might have worked in a popular election but the enclave is a tight group of politicians. They might see through it and water for the people Might not bolster their self-interests.

He smiles at Halima like “I got you.”

Terminus. Abbas talks about Trantor. “Miracles everywhere.” Built on a mountain of lies. Why did he join the Foundation? He believed in a girl called Mari Hardin. “I got you out of it didn’t I?” Dodging the question.

Trantor: 14 doesn’t want 12 to know how many raptors he killed. 12 takes 14 to a brothel where the girls’ memories are wiped.

Didn’t get the obvious? They have to force the resemblance between this girl and the gardener. Of course, 12 gets a report from her after her time with 14.

Salvor gets another vision. This time she’s in the body of Gaal.

Hari to Raych. “It has to become impossible for you to remain onboard.” Hari can’t fix things. He’s a lot less certain than the Hari in the book.

“This whole thing collapses because you stay with her.” Sacrifices waisted. “An entire galaxy pivoting around the actions of an individual.” The cryopod was programmed for Raych.

Abbas martyrs himself to destroy the “Corvettes.” Salvor melts down. “Daddy!”

So many ways that 14 is different. He’s reaching out to people outside the family. He’s showing concern for other people and a willingness to put himself at risk. 14 is colorblind. But “Cleons are exact copies.”

Shadowmaster Olbracht finds the raptors that 14 hid. Probably realizes the color blindness.

Meanwhile, Salvor is growing toward seeing violence as a problem.

And we’re doubling down on the part of the episode recognizing that psychohistory doesn’t work. Maybe. But Salvor’s also starting to see herself as a piece of the plan which is problematic.

The Desalination system should not be front and center at a funeral. Just saying.

And Halima walks in to interrupt Gilat and steal the show. It’s classic politics. Gilat and 13 are appealing to reason. Halima wins hearts and minds by connecting on an emotional level.

Souls used to be like candle wax burned down and snuffed out. “The mother took the straight line of life and sewed it into a circle.” Reincarnation is not about ascending to the highest planes of enlightenment. There is no end because our capacity for growth is infinite. “Even a soul that appeared holy 400 years ago would not be holy today.” “We must embrace the value of transformation, of evolution, of difference!” “We rejoice that her soul is not bound to a single immutable body.“

It’s extra odd that Demerzel would be an adherent to this religion. Is it aspirational?

Also bowing and leaving 13 to stand is a powerful statement.

Salvor and Hugo are captured. Phara & Company take Hugo’s ship and leave with the hostages who can crew a jump ship.

The episode ends with one defiant coin flip.

Rating: 3 out of 5.

All Images from Foundation on Apple TV+.

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Stars End S4E01

Season 4 Episode 01 “If There Is A War We Will Podcast”

Well, The First Interregnum has ended. Season 2 of Apple TV+s Foundation is just three days away. The goal for our season 3 was to make the gap between the TeeVee seasons seem to fly by quickly! We hope it seemed like less than 30,000 years! Thanks to everyone who’s stuck with us!

That’s the raison d’être for season 4 of Stars End, we’ll be recording weekly for the duration, bringing you the best analysis of each episode of the Apple TV+ program as it airs as quickly as humanly possible.

So, join us for this, our season premiere, as we play at being psychohistorians and ponder what we might see in the coming weeks, and chat about what we expect in Season 2. We’ll even be aspirational as we voice what we hope to see. We’ve been on a slow ship since season one ended, now it’s time to hop onto a jump ship and soar through these new episodes together! Let’s go!

Watching Foundation: “Upon Awakening”

the Unfinished Business Department. I started these “Watching Foundation” posts while Season 1 was running. I’m going to try to wrap these up as I finish my Season 1 rewatch. Slightly edited thoughts from the initial watch. I’m not removing things that turned out to be wrong, I’ll add parenthetical comments.

Can I do it? It’s five more episodes in four days, let’s give it a try.

Watching Foundation – S1E05

Spoiler Alert! There may be plot complications!

You know how this works. Joseph’s Random thoughts about Episode 5, no post-podcast revelations this time. Simultaneously published at StarsEndPodcast.com.

The Black Hole story scares Gaal because of the Event Horizon. In her dream, she’s swimming in the darkness and that does not scare her; but the water stands for her religion and it’s telling that it’s in darkness.

Another interesting font.  

They put those prayer stones into infants.  Barbaric.

Upon Awakening is a religious notion on Synnax.  Makes sense with the “Sleeper” being the central mythological character.

Shit. So much water! Keven Costner is going to show up, isn’t he?

They check the university for illegal activity.  Gaal encounters “Instructor Sorn,” apparently a former Professor at the university.  He knows Gaal from when she was a baby.  “All analytical learning goes against the faith of the awakening.”

She just tries to save him from the seers. “Just drop the books and go…”

“They are just words on a page.”  He gives her Kalle’s book of folding. “Furthering knowledge is the most noble work of humankind.”

Strong parallels between Synnax and the Galaxy.  Sorn is channeling Hari.

“We did this, not your slumbering God.”

The door looks like a Star Trek delta.  But otherwise, this is terrifying.  Sorn is cleansed which is to say executed.

Gaal takes part in the execution and then immediately (?) dives to retrieve the book she wanted.  Sure, NOW she raises a fuss about the rising water. And enters the math contest.

Gaal gets a message back from Hologram Hari.  No, not that one.

There are sexism and bias.  There’s resistance to Gaal’s solution because she’s a woman and from Synnax.  “The beauty of Mathematics is that it’s pure.”

Hari says it’s “ingenious, elegant, and true.”  A mathematician would not say “true.”

Gaal comes clean and complains about the rising water, but not she’s raising enough of a fuss and then she leaves for Trantor.

There’s not enough of a feeling of her awakening.  Doing the priesthood’s bidding and then sneaking around.  She seems like a hypocrite or a coward.  Also, there’s more “Math is Magic.”  500 years old problems don’t get solved overnight just because someone found a scroll.

Gaal on a ship.  It doesn’t make sense that the blood is still on her hands or the knife. 

That was quite a meltdown.  And “Raych Foss Arrival Protocol” screws up a beautiful theory.

There’s that font again.  It would have been a nice touch if it had been specific to Synnax.

Salvor tries to talk sense into the Anacreonians.  “Desperate people make mistakes.” 

I feel like I’m watching Braveheart.  I never wanted to watch Braveheart.

Meanwhile, the imperial ship arrives and the Anacreonians have hidden their cannon.  Lord Dorwin isn’t going to last very long, is he?

I’m not sure what purpose it serves to have the computer fucking with Gaal.  

That casket thing Hari’s in is going to keep him alive.  Obviously? (turns out, no.)

Lewis: “We will devote our lives to protecting the empire.”  It’s impossible that he’s that stupid.  Is it a pose?

Why would Lewis suspect Gaal was behind Hari’s murder?

Raych is cryptic.  Says not to lose faith in the plan.  The show makes it plain that he’s speaking for Gaal’s benefit.  There are too damn many executions on this show.

Phyra takes down the “standard imperial issue shield.”  Which they already told us was going to happen.

Cheap pathos.  Gaal’s attempting suicide.  We’ve made a lot of characters female, but they wouldn’t write a male character with crippling despair.  What the hell just happened?

The ship’s course was corrected.  It’s inconceivable that it would be that violent within the ship without some sort of warning. And the timing is ridiculously convenient.

Mathematical technobabble is annoying and it’s unrealistic that what she does is accurate enough given the numbers that she’s throwing about.  They want to show us Gaal is smart but the puzzles are annoying.  The mission is almost scuttled because the computer is screwing with her rather than giving her information.

Back on Terminus, there’s a ridiculous amount of shooting with no one getting hit.  These guys are worse shots than Storm Troopers.

Phrya has Salvor’s mom.  This is too much of a repeat of the earlier encounter where they tried to show us that Salvor’s smart.  But her Mom clearly understood what Salvor wanted it’s dumb to waste time apologizing.  This is a lack of respect for the audience.

The fight scene is pretty well choreographed but maybe not because it’s so poorly lit.  And the Grand Huntress of Anacreon should be more formidable.

Gaal goes to see with her own eyes.  But she shouldn’t be able to see the stars.  Letting this error slide is almost a convention, but making it a plot point just draws attention to it.

Terminus isn’t innocent.  “Because of what your profit said, my home world burned.”

Lord Dorwin didn’t last very long, did he?

The blood is disappearing of course Hari is still alive.  But what’s the deal with him phasing in and out? (In retrospect, this is Hologram Hari, Mark 1.)

Antiparallel vectors, by the way, have parallel but opposite directions.

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Stars End S3E37

“Asimovs Foundation Podcast and Philosophy”

I podcast, therefore I am. Or is it, “I podcast, therefore I philosophize?”

If you’ve listened to some of our recent episodes, you might think it’s the latter. We’ve recently delved into topics like free will and pondered whether there’s an objective morality beyond things that we might be programmed with, like societal norms or the Three Laws of Robotics.

Well, if you like that stuff, you’ll love this episode! There’s a new book out called Asimov’s Foundation and Philosophy (AF&P), a collection of essays about… well, you’ve figured that out, right?

Remember books, by the way? They’re weird. You can read them, but they don’t have batteries. And they’re made of wood, of all things!

We discuss this book with three of its authors who are simultaneously two-and-a-half special guests!

Josef Simpson is one of the editors of AF&P and helped bring the book to life. He also wrote “A Foundation-al Lesson on Free Will and Determinism” for the project.

Our second guest is a long-time friend of the show, ⁠Cora Buhlert⁠! Cora was our first guest way back in Season 1, Episode 7. She is now our first returning guest and the first Hugo Winner to appear on our show as she was chosen the Best Fan Writer for 2022! Congratulations, Cora! Cora contributed “Between Cynicism and Faith” to AF&P.

The book also contains a chapter by our own Dan Fried, “The Dao of Psychohistory!” Thus, Dan is our one-half of a special guest as he splits his duties between interviewer and interviewee!

So if our excursions into philosophy have whetted your appetite for such things, pick up a copy of Asimov’s Foundation and Philosophy⁠. You’re sure to enjoy it! If you want to read the book without harming a tree or through inaction allowing a tree to come to harm, here’s ⁠one option⁠.

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Stars End S3E36

“Never Hoard Your Silver Podcast”

Sometimes we bury the lede in the title so let’s rectify that straightaway: featuring special guest Melinda Snodgrass!

We’ve never been shy about our obligatory Star Trek references. As we’ve undertaken our long, strange trip through Asimov’s Robot Novels and some related short stories, those references skewed sharply in the direction of The Measure of a Man, which is in my opinion “the moment when The Next Generation earned the right to call itself Star Trek.” It’s great TV and great SF and a monument to themes and ideas that Asimov championed throughout his career.

So for this episode, we going to treat you to an episode-long Star Trek reference as we’re joined by the author of The Measure of a Man, the aforementioned Melinda Snodgrass!

Please excuse us, we’re all a bit starstruck.

In addition to writing the quintessential Data episode for TNG, Melinda Is a ⁠lifelong Science Fiction fan⁠ who has written many novels including the Circuit series, co-created the Wild Cards series of books, and has extensive screenwriting credits including L. A. Law, Sliders, and The Outer Limits. Within the realm of Star Trek, Melinda has written Tears of the Singers, a TOS novel, and five episodes of TNG, which also include a second excellent Data-Centric episode, The Ensigns of Command.

She was the Story Editor on Next Generation while the show transformed from a program struggling to find its voice into the science fiction juggernaut we all know and love.

As Jon puts it, this episode “slaps!” You do not want to miss this one! Let’s go!

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Happy Juneteenth 2023!

Happy Juneteenth!

“Juneteenth,” or “America’s second independence day,” commemorates 19 June 1865, the day at the end of the Civil War when the last slaves in the United States learned that they were free in a proclamation from General Gordon Granger in Galveston, Texas.

He wrote, in part:

“The people of Texas are informed that in accordance with a Proclamation from the Executive of the United States, all slaves are free. This involves an absolute equality of rights and rights of property between former masters and slaves, and the connection heretofore existing between them becomes that between employer and hired laborer.”

This year we’ve upgraded to a version of the Juneteenth flag without the date integrated into the design, an objectively better design. You can read more about Juneteenth and its flag and see the version of the flag that includes the date in our post from last year.

State Flags: Vermont

Happy Flag Day 2023!

I thought about starting this post by pondering the efficacy of having recurring columns on a blog and, well, a job, but it seems like I began the last installment, written, in part, on Flag Day last year, with just that sort of disclaimer. I’ll try to pick up the pace.

We’re flying the flag of “the Green Mountain Boys” this year which is possibly the most recognizable regimental flag of the Revolutionary War. It was likely flown at the Battle of Bennington in 1777 by John Stark.

At least, there is a fragment of a flag that was flown by Stark at that battle in the Bennington Museum. It’s the canton of the flag with what appears to be remnants of green silk on three sides. But the flag as we have it today is a reconstruction; its connection to the Green Mountain Boys and its relation to Vermont are disputed.

The Fragment of Stark’s flag from the Bennington Museum

Other sources suggest that The Green Mountain Boys’ flag was the unofficial flag of the Vermont Republic and served as the unofficial state flag from Vermont’s admission to the union in 1791 to 1804.

So, how does this fit into our series on State Flags? If you recall our first installment, we’re dividing the US state flags into four categories

  1. Flags that need no changes
  2. Flags that only need very slight changes
  3. Flags that have well-established, aesthetic alternatives and
  4. Flags that require significant changes.

The Green Mountain Boys’ flag fits firmly into category three even if its early history is unclear. Multiple proposals have tried to revert the design of the state flag to the Green Mountain design, but none have been successful. That though is enough for me to consider it a “well-established” alternative.

Is it aesthetic? I think so, even if it is a bit bland. The thirteen stars in a “natural arrangement” sets it apart from other flags with stars in the canton and the green field is appropriate for the “Green Mountain State.” I won’t list them here but it easily clears the NAVA’s five principles of good flag design.

Consider the history of the Vermont flag. The Green Mountain Boys’ flag was the unofficial state flag from Vermont’s admission to the union in 1791 to 1804 when Vermont’s “second state flag” was adopted. There were 17 states at this time and the designers decided that adding stripes as well as stars was still a pretty neat idea (it wasn’t), this banner consists of 17 stars and 17 stripes. To distinguish this from a theoretical national flag, “Vermont” is written across the uppermost stripe. The third state flag, adopted in 1837, reverted to thirteen red and white stripes but had a single eight-pointed star in the canton, surrounding the pastoral scene from the center of Vermont’s coat-of-arms. On 1 June 1923, almost exactly 100 years ago, Vermont their current flag, consisting of the state coat-of-arms on a field of azure.

Among the three official state flags, two are strikingly similar to the United States flag (or perhaps Liberia’s). The third is a classic seal on a bedspread. While the Green Mountain Boys’ flag isn’t necessarily the quintessential flag for the state of Vermont, in this company it is the clear choice.

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