First of all, credit where it’s due, this wasn’t my idea. the idea comes from Orli Matlow, or @HireMeImFunny on that bird app when I saw this tweet.

I hope Ms. Matlow won’t mind, but my brain refused to rest until I’d filled in the blank.

So, here’s a rare attempt at political satire. I hope I don’t embarrass Tom Lehrer who, as I’ve mentioned, is the only mathematician I consider a role model.

In case it helps, here’s an instrumental version of the song.

And now, without further ado, but with apologies to John Lennon, Paul McCartney, and perhaps anyone who might read this, here “Kevin McCarthy” to the tune of “Eleanor Rigby.”

Featured Image: By Martin Falbisoner – Own work, CC BY-SA 3.0, https://commons.wikimedia.org/w/index.php?curid=28359031

It’s Doctor Who Day and We’re going to spend a big chunk of time watching Doctor Who, both Classic and Nu. Beginning with…

The Dalek Invasion of Earth. Episode 1: “World’s End”

You have to admit, this looks pretty good.

I thought I’d seen this before, but maybe only bits and pieces. The first few moments have my attention; they’re both dystopian and compelling! It’s amazing how well that’s conveyed by a run-down area a sign, and a strangely dressed man shambling into the Thames.

The Tardis materializes and it looks worn and damaged. I wonder what’s up with that.

The Doctor and crew think they’re getting Ian and Barbara back home. This will be a recurring theme for the next 6 decades or so.

But the Doctor quickly suspects that they’re landed in the wrong time. The others remain optimistic even as debris blocks their re-entry into the TARDIS.

I’m thinking it’s sad that we never saw any more of Susan in the modern series when “Grandfather” tells her that what she needs is a “jolly good smacked bottom!” Sigh.

They seem to be making use of abandoned properties around London quite effectively.

And things start happening; Barbara and Susan are taken by men offering to protect them as gunfire is heard in the distance while Ian and the Doctor find a corpse wearing a sinister-looking helmet, which they seem to think is some sort of cell phone.

It’s a compelling start and even though it’s mostly about atmosphere at this point there are some enjoyable details including the “robomen” who may well have inspired the Cybermen two years later and a spacecraft that is strongly reminiscent of “Attack of the Flying Saucers.” In the final moments, we get our first glimpse of a Dalek rising from the river.

The Dalek Invasion of Earth Episode 2: “The Daleks”

The Dalek confronts Ian and the Doctor proclaiming “We are the Masters of the Earth.” “Not for long,” is the Doctor’s reply. Lots of classic tropes here; I wonder if these are the first occurrences.

But the Daleks have certainly evolved from here; they’re already fascistic but seem content to rule rather than destroy. Offering to let prisoners survive if they surrender is very unDaleklike, but then conversion into Robomen isn’t exactly survival.

They’ve noticed the Doctor though and realize that he’s smarter than the average bear.

We get a bit of backstory; Earth was bombarded by meteorites, then most of the population was wiped out by a plague. By the time humans could combat the plague, it was too late. There were only small groups of survivors, too separated to join forces, and too small to resist effectively.

The humans have a bomb, but it looks like a bottle of perfume. And it’s stunning how dumb they all are; thinking that they now have a “superior weapon.” Barbara helps them improve their plan somewhat though. Not enough I would guess.”

By the way, is it me or does that guy look like Radar O’Rilley?

The episode ends with the humans’ attack underway and the Doctor in the process of being robotized.

Rose (2005)

Joanne and I watched “Rose,” the first full episode I ever saw, over lunch. It’s a near-perfect starting point.

Looking back, it’s astounding how well RTD balanced a comfortable introduction for new fans by including nice, familiar touches for old friends (…look at the ears) and integrating hints about what happened post-McGann. The show had some growing to do, Jackie & Mickey were still caricatures and the show hadn’t quite decided that it wasn’t a kids’ show any longer, but the Doctor was compelling and Rose was clever and capable. Without Eccleston & Piper, we might not have Nu-Who today.

Watching this gives me hope for the next few seasons.

Partners in Crime (2008)

Next is “Partners in Crime,” the opener of my favorite series of Nu-Who due mostly to the presence of Catherine Tate as Donna Noble. I’m psyched we could be revisiting this team in a few months.

Donna makes the perfect foil to the Tenth Doctor and there’s so much to like about this episode, including the choreography of the Doctor and Donna missing each other throughout investigating Adipose. The scene where the two finally see each other is just wizard.

This is our first time watching this since watching Sara Lancashire in Julia. She inhabits these characters so well it’s hard to believe the two roles are the same actress. This one is an excellent performance through and including that nice Wyle E. Coyote moment.

The Eleventh Hour (2010)

We’ll end with “The Eleventh Hour,” the best opening episode for a new doctor in Nu-Who, perhaps in all Who. It’s fun watching the new Doctor do the Tigger thing from The House at Pooh Corner. But the most impressive moment follows after Amilia has rolled with the crashed TARDIS, the strange man with the swimming pool in his library & the nuttiness of fish fingers and custard with complete equanimity the Doctor says, “Must be a hell of a scary crack in your wall.” That line gives me chills every time.

Then it’s off to the races, into an episode that melds humor, intrigue, action, and heart into a seamless whole. The cast is excellent and this Doctor, being a bit odd makes it all the easier to see him as alien. The episode and what follows works very well.

It’s time for bed, and I’m disappointed that I didn’t get to a Peter Capaldi episode as I consider him to be the doctorest Doctor. But I’ll be back soon to finish The Dalek Invasion of Earth. In the meantime, I’ll leave you with this.

We’re not recording our next episode until Saturday, but if you’re reading ahead, we’ll be discussing chapters 8-13 of The Caves of Steel, corresponding to the second installment that was published in Galaxy Science Fiction in November 1953.

It’s an interesting issue. Asimov didn’t score the cover this time. The cover references the non-fiction piece about the famous experiment that saw complex amino acids generating spontaneously when the conditions on primordial Earth were recreated in a laboratory.

Also of interest is “Galaxy’s 5-Star Shelf.” which reviews a compilation of Olaf Stapledon’s work, the non-fiction Man in Space by Heinz Haber, Second Stage Lensman by E. E. (Doc) Smith, Against the Fall of Night by Arthur C. Clarke and Second Foundation. In that last review, Groff Conklin calls the now-completed Foundation Trilogy “Our first great sociological space opera.” He compares it favorably with Smith’s Lensman series saying, “…Asimov’s work, based as it is on fairly sound social principles and the activities of fairly normal human beings, has a pressing sense of reality that Smith’s fairy tales lack…” He concludes “it is a thoroughly satisfying and adult play of the scientific imagination.”

But back to The Caves of Steel. Here’s the promotion for this installment in Galaxy’s October Issue.

And here are some pages from the story.

I’m particularly liking the opening two-page spread, with artwork once again by Ed Emshwiller. It depicts the encounter in Chapter 8. The synopsis is nicely done as well and continues for the entire next page. Here’s the remainder in case you want to remind yourself of the last installment before continuing to read this one.

Finally, here are the rest of the illustrations from the story. We have Lije and Daneel leaving Space Town (top right), traveling through a power plant (left), and Daneel being examined by Dr. Gerrigel, a roboticist.

Season 3, Episode 15 will be available soon!

Simultaneously published at:

Charlie Jacobson shared an article from Slate yesterday: Tom Lehrer at 90: a life of scientific satire, honoring Tom Lehrer on the occasion of his 90th birthday. It reminded me of just how much I enjoy Mr. Lehrer’s work. It also reminded me that the last time I subjected a class to one of his songs, (We discuss arithmetic in other bases in Cryptography, so we listen to “New Math“) I resolved to write my first ever fan letter. Thing is, the article above is from April 2018, so Mr. Lehrer is now a bit over 91 and a half. To quote the great man himself, “I believe that if any songs are going to come out of World War III, we had better start writing them now.”

Mr. Lehrer is a genius! I believe that I purchased a copy of “That Was The Year That Was” while I was in junior high school and promptly wore it out. I would make a point of listening to Dr. Demento every Sunday hoping to hear his stuff. It was a delightful surprise when I realized that Lehrer also write “Silent E” which I had loved from the Electric Company back in second or third grade. I still find myself humming that song nearly a half-century later.

I often say he’s the only mathematician I consider a role model and when I told a class last week that by becoming a professor, I’d figured out how to stay in college for the rest of my life, I was intentionally riffing on Lehrer’s “attempt to extend adolescence beyond all previous bounds”. He’s probably one of the biggest influences on my sense of humor, such as it is, which I suppose isn’t a very nice thing to say, but there you go.

The Slate article reminds us of Lehrer’s quote about Henry Kissinger. The first time I’d heard it, I thought it was that “All other forms of political satire became obsolete when Henry Kissinger was awarded the Nobel Peace Prize” and that’s stuck with me even though I’ve tried and I haven’t been able to verify that version of the quote. It’s always struck me as much more interesting than the version that I usually see, which is merely to say that political satire has become obsolete. But “politics has become too nutty to satirize” is an easy joke, while the other version is profound. To expand on it: “Henry Kissinger has won the Nobel a Peace Prize after being instrumental in the bombing of Cambodia and other horrible things. The only way that could possibly make sense is if the award itself was actually an act of satire. And it is such a perfect and succinct bit of satire that we’ve clearly reached the apex of the art form. No one else should attempt political satire because everything else will seem empty and futile in comparison. Political satire is obsolete.” It may just be headcanon, but that’s what I choose to believe Mr. Lehrer actually said.

The Slate article continues “…and in 2002 he remarked, still less optimistically: ‘Things I once thought were funny are scary now. I often feel like a resident of Pompeii who has been asked for some humorous comments on lava.’” Brilliant.

It’s worth the investment of time to track down all of Mr. Lehrer’s songs, but for those of you who are just getting started, here are a few of my favorites.

We Will All Go Together When We Go:

That’s Mathematics:

Silent “e.”

Wernher Von Braun:

I Got It From Agnes

Who’s Next: